Sundanese Translations and Interpretations are translations and explanations of the Qur’an using Sundanese language and compiled by mufassir originating from the Sundanese region, which existed since the 1900s. Recently, the Sundanese Qur’anic interpretation is hard to find since most of the book is no longer being reprinted. As a result, the Sundanese young generation hardly recognizes this valuable heritage. This study aims to digitize the Sundanese Qur’anic interpretation so that it is widely accessible. This research employs documentation searching through photos, scans, and Microsoft picture managers. The search for information on Sundanese exegesis used the Adobe Acrobat Pro DC. Recently, twenty-seven Sundanese interpretations and translations of the Holy Qur’an have been compiled during the pre-independence and post-independence colonialism, and two have been successfully digitized. This research shows that an information search engine related to the content of Sundanese language interpretation using the Adobe Acrobat PRO DC application can call document pages, web pages, open a file, custom links include letters and keywords.

Millennials are the generation that lives among advance technology. The use of digital technology is inseparable from the millennial generation. This claim are proven by how technology sink in a lot aspects of life, social aspect as one of them. Today, with digital technology, social media becomes a tool to communicate that can connect people without the limitation of time and place. Millennials, as a generation who use digital technology the most today, open themselves up by showing moments, experiences, and pleasures through art. As a form of expressing oneself, art is no longer limited to a collection of sculptures, or painting, but rather to an aesthetic moments that they can share on social media in the form of photos or videos. In Indonesia, most museums and art galleries only accommodate exhibition spaces that are limited to static object (immovable), even though they are supposedly accommodate dynamic art objects that can be used interactively with visitor galleries. Therefore, a space that can accommodate interactive art objects in the digital age is needed. By using design research methods, carried out on space through observation and exploration, the Interactive Art Gallery not only provides relevant expression space for millennial generations, but also supports direct conversion between communities through art. AbstrakGenerasi milenial merupakan generasi yang tumbuh di tengah perkembangan teknologi yang menjadikan mereka tech savvy (gemar teknologi). Pemakaian teknologi digital sudah sangat lekat dengan generasi milenial. Hal ini dibuktikannya dengan masuknya teknologi dalam aspek-aspek kehidupan, salah satunya adalah aspek sosial. Hari ini, dengan kecanggihan teknologi digital, sosial media menjadi sebuah perangkat interaksi yang dapat mengkoneksikan orang-orang tanpa batasan waktu dan tempat. Milenial, sebagai generasi pengguna teknologi digital terbanyak saat ini, mengekspresikan diri mereka dengan cara menunjukan momen, pengalaman, dan kesukaan, salah satunya lewat seni. Sebagai wujud ekspresi diri, seni tidak lagi terbatas pada koleksi patung, atau lukisan, tetapi lebih kepada momen-momen estetik yang dapat mereka bagikan di sosial media dalam bentuk foto maupun video. Di Indonesia sendiri, kebanyakan museum dan galeri seni hanya mewadahi ruang pamer yang terbatas pada objek-objek seni statis (tidak bergerak) padahal seharusnya mulai berkembang untuk mewadahi objek seni dinamis yang dapat berinteraksi langsung dengan pengunjung galeri. Oleh karena itu, dibutuhkannya sebuah ruang yang dapat mewadahi objek seni interaktif di era digital. Dengan menggunakan metode design research yang melakukan pendekatan terhadap ruang lewat observasi dan eksplorasi perilaku, Galeri Seni Interaktif dirancang dengan tujuan tidak hanya memberikan ruang ekspresi yang relevan untuk generasi milenial, tapi juga mendukung terjadinya interaksi langsung antar masyarakat sekitar melalui seni. 

Mobility of commuters is one of the factors that causing Jakarta's population density increases. Most of Jakarta residents and commuters spend time with routine activities such as work and study so they do not have free time to create a healthy lifestyle such as exercise and relaxation. This third place project is a facility to improve healthy life and as a layover place because it is supported by its location that is directly related to Jakarta mobility and activities center, named Rawa Buaya commuter train station which is directly connected with office activities. The facilities involve activities to fulfill human physiological needs (Abraham Maslow (1908-1970) in Asmadi (2008:18)) which includes rest, eating, exercise, and relaxation. Thus, the programs that use in the project is to increase physical wellness such as indoor and outdoor sleeping capsules, and food court; mental wellness such as yoga, meditation, zumba, spa, and sauna classes; and social wellness such as game stations, outdoor waiting areas, and charging stations. The design of the thrid place project uses the responses to site approach by considering the orientation to the location of the site at the corner of the road, pedestrian access, and the neighborhood or surrounding buildings. The method is used in forming building masses that pay attention to orientation and natural light, determine the main pedestrian access in the site, place programs near the surrounding functions, and make programs on the ground floor for the public. Keywords: mobility; respond to site; wellness AbstrakMobilitas komuter menjadi salah satu faktor yang menyebabkan kepadatan penduduk Jakarta semakin meningkat. Sebagian besar penduduk dan komuter Jakarta menghabiskan waktu dengan aktivitas rutin seperti bekerja dan belajar sehingga tidak mempunyai waktu luang untuk mewujudkan gaya hidup sehat seperti berolahraga dan berelaksasi. Proyek third place ini menjadi fasilitas peningkatan hidup sehat sekaligus tempat singgah karena didukung dengan lokasi yang berhubungan langsung dengan pusat mobilitas dan aktivitas masyarakat Jakarta yaitu stasiun kereta komuter Rawa Buaya yang terhubung langsung dengan aktivitas perkantoran. Fasilitas tersebut menyangkut kegiatan pemenuhan kebutuhan fisiologis manusia (Abraham Maslow (1908-1970) dalam Asmadi (2008:18)) yang meliputi kegiatan istirahat, makan, olahraga, dan relaksasi. Dengan demikian, program yang diangkat berupa peningkatan physical wellness seperti kapsul tidur indoor dan outdoor, serta food court; mental wellness seperti kelas yoga, meditasi, zumba, spa, dan sauna; serta social wellness seperti game station, outdoor waiting area, dan charging station. Perancangan proyek thrid place ini menggunakan pendekatan responses to site dengan mempertimbangkan orientasi terhadap lokasi tapak di sudut jalan, akses pedestrian, dan neighborhood atau bangunan sekitar.  Metode tersebut digunakan dalam membentuk massa bangunan yang menyesuaikan orientasi dan memperhatikan cahaya alami, menentukan akses utama pedestrian di dalam tapak, meletakkan program-program sesuai dengan fungsi sekitar, dan membuat program di lantai dasar sebagai program bersama.

Art Deco emerged from the change of thinking ways of a group of people who one of them backed from the establishment of the economy. In Surakarta, there are areas that get influence Art Deco style, among others: Baluwarti, Laweyan, and Kauman. The problem is the absorption and adaptation of elements of Javanese culture and other culture that produce different art deco typology in each object of study. This study aims to compare the absorption and adaptation of elements of Javanese culture and other culture that produces different art deco typologies in three different areas in Surakarta.With different backgrounds, the absorption and adaptation of Art Deco style in residential houses in each region is different. But the common thread is the absorption of several styles, namely: Java, Art Deco, Art Nouveau, Middle East, and China which finally created the eclectic Art Deco style.

E-Sport in South Korea has become one of the country's big income. E-Sport has a considerable influence on the country. Therefore E-Sport is questionable from local to international. The facilities needed for E-Sport also really need to be related to training places for people who want to become E-Sports athletes in order to be able to participate in international competitions. In some developed countries, the video game again recommends a vehicle to spend free time being asked to be a profession with income that is quite convincing. This profession is an Athlete professional in this case who is an expert in playing video games or who has been widely known as e-Athlete. If you have been given the title of the athlete, things that must be categorized in sports are given the name E-Sport. In Indonesia itself, with the recognition that the Indonesia E-Sport Association (IeSPA) as an organization that respects Kemenpora is also a bright spot for the development of sports in our country. Although E-Sport shows don't seem difficult to do just because a computer with high specifications is needed, however, it is necessary to implement it requiring a place with a certain arrangement of spaces. So that athletes who will compete can simplify the game. Therefore a place that is specifically designed to carry out E-Sport events is needed.AbstrakE-Sport seperti di Korea Selatan menjadi salah satu pendapatan yang cukup besar bagi negara itu. E-Sport memiliki dampak yang cukup besar bagi sebuah negara. Karenanya E-Sport dipertandingkan dari lokal sampai ke internasional. Kebutuhan sarana untuk E-Sport juga sangat perlu apalagi dengan adanya tempat pelatihan bagi masyarakat yang ingin menjadi atlet E-Sport sehingga dapat mengikuti kompetisi di dunia Internasional. Di beberapa negara maju video game bukanlah lagi sebuah wahana untuk menghabiskan waktu luang melainkan menjadi sebuah profesi dengan pendapatan yang cukup meyakinkan. Profesi tersebut dengan adalah menjadi atlit professional dalam kasus ini yang ahli dalam bermain video game atau yang sudah banyak dikenal orang dengan sebutan e-Atlit. Di Indonesia sendiri, dengan diakuinya Indonesia E-Sport Association (IeSPA) sebagai organisasi yang diakui Kemenpora turut menjadi titik terang perkembangan olahraga ini di negeri kita. Untuk bangunan E-Sport di Indonesia sudah ada sejak dulu karenanya dalam perancangan akan memakai metode preseden untuk mengambil apa aja yang menjadi sebuah ciri bangunan E-Sport. Keberadaan bangunan E-Sport di Jakarta banyak terletak di Jakarta Barat terutama kawasan Palmerah, jadinya lokasi tapak diperkirakan berada di Palmerah.