Resumo: A partir da tríade performance autobiográfica, sensorialidade e linhas de fuga, uma reflexão sobre o filme Uma passagem para Mário (Eric Laurence, 2014). O artigo busca ampliar o debate sobre fronteira, esgarçamento e amplitude de uma linguagem cinematográfica comprometida com a arte contemporânea, a autobiografia, o devir, o afeto e a experiência/engajamento sensorial do outro.
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