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In 2002 the first public harbour swimming bath in the inner harbour of Copenhagen opened. By translating the old industrial harbour into a site of urban living and recreation, the practice of swimming in the harbour has been instrumental in aligning and catalysing a series of broader urban transformations pertaining to the wastewater infrastructure, industrial activities, urban development, and international marketing of the city. Through a study of the processes by which swimming in the harbour came into being as a transformative urban practice, we develop a navigational conceptualisation of urban transition processes. Our study suggests that the creation of the first harbour bath was not the end result of an overall master plan. Rather, we demonstrate that the harbour baths were the outcome of a contingent interplay among embedded actors' myopic and navigational actions over a period of twenty years. In order to conceptualise what provoked these navigational actions and how they translated into transformative urban change, we develop the notions of junctions and transition mediators. We introduce the notion of junctions to understand how navigations are provoked. Junctions are signified by particular sites with identities that have been rendered unstable due to tensions and ambiguities among the established sociomaterial assemblages by which they are configured. We argue that navigations signify sociomaterial repair work aimed at addressing such junctions. To conceptualise how such navigations might translate into coordinated urban transformations, we introduce the notion of transition mediators. A transition mediator is an artefact-such as the harbour baths-that succeeds in generating transformative change by displacing the boundaries and interdependencies within and among the established sociomaterial assemblages of the urban fabric.

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Biomimicry is an interdisciplinary approach to study and transfer principles or mechanisms from nature to solve design challenges, frequently differentiated from other design disciplines by its particular focus on and promise of sustainability. However, in the biomimicry and biologically inspired design literature, there are varying interpretations of how and whether biomimetic designs lead to sustainable outcomes and how sustainability, nature, and mimesis are conceptualised and engaged in practice. This paper takes a particular focus on the built environment and presents a theoretical overview of biomimicry literature spanning across specific fields, namely architecture, philosophy, sustainability and design. We develop upon conceptual considerations in an effort to contribute to the growing calls in the literature for more reflective discussions about the nuanced relationship between biomimicry and sustainability. We further develop a ‘Biomimicry for Sustainability’ framework that synthesises recent reflective deliberations, as a possible direction for further theorisation of biomimicry, aiming to elaborate on the role of biomimicry as a sustainable design methodology and its potential to cultivate more sustainable human–nature relations. The framework is used as a tool for retrospective analysis, based on literature of completed designs, and as a catalyst for biomimetic design thinking. The objective of this paper is to serve as a point of departure for more active and deeper discussions regarding future biomimetic practice in the context of sustainability and transformational change, particularly within the built environment.