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Using the evidence of Aquitanian chants, this article explores the possibility that a twelfth-century relief panel of the Annunciation today in the interior of Conques was originally designed for the West facade, where it completes the composition of the divine plan of Salvation. This hypothetic reconstruction also uncovers the important role of the patron saint, Sainte-Foy, and how she is promoted as second after Mary and efficacious intercessor.

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View related articlesView Crossmark data Citing articles: 3 View citing articles optical and acoustic aura in the medieval image: the golden retable of the pentecost at stavelot bissera v. pentcheva stanford university, usa Material Religion volume 16, issue 1, pp. 9-40 This article has been republished with minor changes. These changes do not impact the academic content of the article.