This paper aims at presenting an overview of Roman wall painting production between late Republic and the early Empire. It will focus on the technique and style of in situ wall paintings from the Vesuvian area (Italy). Frescoes are indeed an integral part of architecture and reflect the patrons’ ambitions and social level as well as the craftsmen’s technical know-how. Since this is a handicraft product, the quality of materials, the craftsmen’s skills and the technique are fundamental to understand the fresco’s value and the message that the patron wished to communicate through the use of elaborate schemes, expensive colours or certain mythological themes.

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