Several models of relationship dissolution imply a sequence of steps or stages, for which there might exist a cultural script. Previous research has identified a script for first dates. The present research attempted to identify a relationship dissolution script by asking men and women to list the steps that typically occur when a couple breaks up. Analysis of their 1480 responses indicated a 16-step ordered script for relation-ship dissolution. The relationship dissolution script is discussed in terms of approach-avoidance theories of conflict and relevant relationship dissolution theories.

Listeners judged whether a target tone was contained within a previously or subsequently presented major chord, and targets consisted of either the root, third, fifth, or tritone of the scale based on the root of the chords. Chord position influenced the relative recognition of targets, but listeners exhibited greater recognition of the fifth regardless of chord position (root, first inversion, second inversion). The data were not consistent with notions of root tracking or melody tracking. The data were broadly consistent with the notion that different chord positions may be harmonically equivalent (i.e., that listeners may recognize components of a chord regardless of chord position), with notions of analytic set and the importance of an instantiation of musical context for chord processing, and with the importance of the fifth in harmonic progression.

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