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Donne's Wit has been linked to Caval-canti and Alciati, Marino and Ramus, Anacreon and St. Bonaventure. The variety of these analogues confronts scholars with a dilemma: for it suggests that The Songs and Sonets must be either a profound intellectual synthesis or a grotesque philosophical chaos; and yet in fact they are neither. The dilemma might be resolved, however, by the discovery that Donne's lyrics are in a tradition which accounts for both their sophisticated levity and their dramatic truth, both their epigrammatic neatness and their symbolic import. The work of the “presecentisti”—by which term I mean chiefly Serafino l'Aquilano, Torquato Tasso, and Guarino—forms such a tradition.

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