No abstract

Traditional patterns are widely used in the modern design due to their long history, rich connotation, and beautiful form. However, the current application of traditional patterns in the modern design is mostly based on the designer’s subjective preferences, not from the perspective of consumers, to explore their feelings about traditional patterns, and which design factors have an impact on consumers, which is the main reason why modern applications of traditional patterns cannot meet the esthetic needs of modern consumers. Therefore, to make better inheritance of the traditional pattern and meet the needs of contemporary consumers, this article takes the caisson lotus pattern of Mogao Cave in the Tang dynasty as an example and first, using the theory of Kansei engineering to investigate the perceptual cognition of the young consumers aged 20–35 years old on the lotus pattern, then use SPSS 24.0 software to analyze the perceptual evaluation data, find the design element combination code corresponding to the perceptual vocabulary, and establish a mathematical model that can predict consumers’ emotional imagery of the lotus pattern of the caisson in the Tang dynasty. Through the verification of the model, the test results show that the model has a high degree of credibility; designers can use this model to quickly evaluate and redesign the lotus pattern to better meet the needs of modern consumers. At the same time, the method of this paper can also be applied to other design fields with user-centered concerns.

The caisson lotus pattern in the Mogao Grottoes is an important symbol of Dunhuang culture, but its innovative design is very scarce. Simple mechanical reproduction cannot satisfy its spread and development in modern aesthetics. In this study, by analyzing the caisson lotus patterns in the Tang dynasty, clarifies its types and characteristics, extracts the lotus pattern structure as the initial model, and uses shape grammar to evolve into new patterns that have both the original lotus pattern structure characteristics and modern aesthetics. Finally, the fuzzy comprehensive evaluation method is used to evaluate the new lotus pattern, which proves the feasibility and effectiveness of the method in this paper, and provides new design ideas for the inheritance and innovative design of traditional lotus pattern.

Architects and designers realize that new buildings cannot completely replace old buildings in the process of urbanization in the world. To establish a method of the new building and the old building coexist and to create the new paradigm of the new building construction in the old district is the responsibility faced by the contemporary architects. This paper first analyzes the old building renovation projects in Berlin and Paris in the 1980s and puts forward the symbiotic relationship between the old and the new buildings in the new era, thus obtaining the research objectives, trying to redefine new buildings and old districts, and creating the new paradigm of contemporary building construction in old districts. Using workshop as an exploration method, this paper conducts data research and sampling analyses on the Chinatown area in Bangkok, and explores the combination mode and paradigm transformation of new buildings and old districts in the city, aiming to seek solutions utilizing art exploration.