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This paper explores the domain of affect and emotion as they arise in interaction, from the perspective of stance, sequence, and dialogicality. We seek to frame the issue of affective display as part of a larger concern with how co-participants in interaction construct the socioaffective and sociocognitive relations that organize their intersubjectivity, via collaborative practices of stance taking. We draw mainly on two research traditions, conversation analysis and the dialogic turn in sociocultural linguistics, focusing on their treatments of affect, emotion, and intersubjectivity. Key ideas from the respective approaches are the role of sequence in shaping the realization and interpretation of stance, and dialogic resonance as a process of alignment between subsequent stances. We present a view of stance as a triplex act, achieved through overt communicative means, in which participants evaluate something, and thereby position themselves, and thereby align with co-participants in interaction. Alignment is argued to operate as a continuous variable rather than a dichotomy, as participants subtly monitor and modulate the “stance differential” between them, while often maintaining a strategic ambiguity. Finally, we comment on the rich contributions to the study of stance, affect, and intersubjectivity in interaction made by the collaborators in this special issue.

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