This project reviewed on the artwork that exhibited in galleries is always in danger of being deteriorated due to exposure or the unconducive environment unless a good system of preserving them is in place. The valuable artwork must protect, and therefore a useful archiving technology needs to be engaged for the perpetual digitalized artwork. This project was able to digitalize for constant archiving of artwork that contains various themes, styles, content and context from a different medium. The identification is essential due to categorizing the types of material, including physical and visual protection through digitations. Keywords: Archiving; Artwork; Digitized; Sustainable Context; Visual eISSN: 2398-4287 © 2021. The Authors. Published for AMER ABRA cE-Bs by e-International Publishing House, Ltd., UK. This is an open access article under the CC BY-NC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia. DOI: https://doi.org/10.21834/ebpj.v6iSI5.2944
Positive Covid-19 instances are becoming more common every day. To reduce everyday cases, the government has taken a variety of actions. It logically follows from the absence of cohesiveness among the community. This work of art aims to provide social commentary by using assemblage paintings as a record to promote communal cohesion. Overall, the results demonstrate that a few social groups' steadfast contempt for Standard Operating Procedures (SOPs) has led to the failure of countless programmes. In order to reduce the incidence of infection, the populace must be united and accept government orders. Keywords: Painting, Mixed Media, Assemblage, Covid-19 eISSN: 2398-4287 © 2022. The Authors. Published for AMER ABRA cE-Bs by E-International Publishing House, Ltd., UK. This is an open-access article under the CC BY-NC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer-review under responsibility of AMER (Association of Malaysian Environment-Behavior Researchers), ABRA (Association of Behavioral Researchers on Asians), and cE-Bs (Centre for Environment-Behavior Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia. DOI: https://doi.org/10.21834/ebpj.v7iSI9.3938
This project deals with outdoor locations and UiTM to beautify the environment. Therefore, this subject's objective is to share how the art practice research was dealt with and established the establishment of the UiTM retrospective into public art. The methods involved reflecting and reviewing related literature and artwork to paradigm the formulation of a new formation of design work. The work of mural design and painting with the selected mode of colour. This project was associated with concept and mapping with the environment that functionalised to public attraction. Keywords: Mural Art, Public Art, Iron Rod Sculpture eISSN: 2398-4287 © 2022. The Authors. Published for AMER ABRA cE-Bs by e-International Publishing House, Ltd., UK. This is an open access article under the CC BYNC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia. DOI: https://doi.org/10.21834/ebpj.v7iSI7%20(Special%20Issue).3774
This project was engaged closely in how the reflection of autobiographical factors was utilised and expanded into artwork dealing with electronic waste art features. The artwork that was formed was developed through the process of understanding the inquiries of electronic fabrication from the previous work that related to the formation of new work. The artwork was created and associated with the changes and the transformation of installation and reflection of life home place artwork. This project shared the potential of the new form of the object within the context of electronic waste and represented contemporary strategies in creative artwork making. Keywords: Artwork; Electronic Waste; Reflection eISSN 2514-7528 ©2022. The Authors. Published for AMER & cE-Bs by e-International Publishing House, Ltd., UK. This is an open access article under the CC BY-NC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), and cE-Bs (Centre for Environment-Behaviour StudiesCollege of Built Environment, Universiti Teknologi MARA, Malaysia. DOI: https://doi.org/10.21834/jabs.v7i22.413
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