In-Home Cinema (Mediatization of Cinema). The current pandemic is driving many changes, including in the way to enjoy entertainment, which is now mostly online. One of the newest online video entertainment service providers is bioskoponline.com. As the name suggests, this site adopts conventional cinema services, but provides exclusive Indonesian films that can be accessed by users who have purchased tickets for 48 hours. Although enjoying movies online is nothing new, the concept that bioskoponline.com carries in the midst of this pandemic condition provides new experiences for its users and is interesting to research. The results of the study are expected to provide an overview of the changes that occur now and in the future due to changes in the media for watching movies, so that concrete steps can be taken in relation to this. In this research report, I use an intrinsic case study as a method to explain this new media-driven mediation. The results showed that as a new media, bioskoponline.com not only changed the vehicle for watching movies in the cinema into a digital version, but also provided several new experiences to its users. bioskoponline.com encourages new ways to enjoy films, as well as encourages new discourse about Indonesian films, especially regarding piracy which is a crucial issue for the film industry. Meanwhile, considering that cinemas will resume, it is advisable that bioskoponline.com improve its media technology and community base. Keywords: mediatization, cinema, film, piracy, discourse. ABSTRAKPagebluk yang tengah melanda mendorong banyak perubahan, termasuk dalam cara menikmati hiburan yang kini sebagian besar beralih secara daring. Salah satu penyedia layanan hiburan berupa video secara daring yang terbaru adalah bioskoponline.com. Sebagaimana namanya, situs tersebut mengadopsi layanan bioskop konvensional, namun dengan menyediakan film-film Indonesia eksklusif yang dapat diakses oleh pengguna yang telah membeli tiket selama 48 jam. Meskipun menikmati film secara daring bukan hal baru, tetapi konsep yang diusung bioskoponline.com di tengah kondisi pagebluk ini memberi pengalaman baru bagi penggunanya dan menarik untuk diteliti. Hasil penelitian diharapkan dapat memberi gambaran tentang perubahan yang terjadi saat ini dan yang akan datang karena perubahan pada media untuk menonton film, sehingga dapat dilakukan langkah konkret terkait hal tersebut. Dalam laporan penelitian ini, saya menggunakan intrinsic case study sebagai metode untuk menjelaskan mediatisasi yang didorong oleh media baru ini. Hasil penelitian menunjukkan bahwa sebagai media baru, bioskoponline.com bukan sekadar mengalih wahana kegiatan menonton film di bioskop ke dalam versi digital, melainkan juga memberikan beberapa pengalaman baru kepada penggunanya. bioskoponline.com mendorong adanya cara-cara baru dalam menikmati film, sekaligus mendorong wacana baru tentang film Indonesia, terutama terkait pembajakan yang merupakan isu krusial industri film. Sementara itu mengingat bahwa bioskop konvensional akan kembali beroperasi, disarankan bioskoponline.com untuk menyempurnakan teknologi medianya dan basis komunitasnya. Kata kunci: mediatisasi, bioskop, film, pembajakan, wacana.

The resignation of Ratu Tisha from his position as Secretary General of PSSI consisted of many parties. That's because there is a lot that Ratu Tisha can enjoy, both for PSSI as an organization, as well as for the Indonesian national team as the end of the football achievement itself. The responses of various football people were covered by many media to become news. This study aims to find out how the online media Kompas and Detik frame the news about the resignation of Ratu Tisha from the PSSI General Secretariat position based on the framing device of Zhongdang Pan and Gerald M. Kosicki. This study uses descriptive qualitative research methods and uses analysis of Pan and Kosicki's framing model analysis using four structural dimensions of news texts, namely syntax, script, thematic, and rhetorical. as a data analysis technique. This study finds the fact that Detik.com tends to be more serious in providing headlines than Kompas.com. In addition, this study also found the fact that Kompas.com tends to be more descriptive and only gives a few statements in its news writing

Santriwati has been labelled as an old-fashioned people who study a more specific way of religion without knowing much about the social and reality in the society outside pesantren. Santriwati were also perceived to dress conservatively and old-fashioned. Different from that image, in one of female pesantren in Krapyak, Yogyakarta (here called PiK), the santriwati dress themselves more fashionable. It might be because of the influence they attain from outside pesantren since they are allowed to study in college (formal education). In spite of the santriwati perceive that the fashion rules in PiK are moderate than other pesantrens they have known, there remain some who broke the rules while claiming that they are fashionable without exhibiting their body's shape. Those conflicting evidence I attempted to establish in this study. By doing so, I aim to establish how the santriwati of PiK constitute the meaning of themselves through negotiation in the fashion way. I find that santriwati do numbers of negotiation practices through the way they dress to actively conforming the rules. As for santriwati of the Security division, they have a privilege to suggest about certain dress based on the development in the society and fashions available in the market. Nevertheless, pengasuh's decision has the higher power and any changes in the rules must be a verdict from pengasuh called dawuh. Thus, it would be easier to reconcile when the santriwati complaint. Therefore, Security division utilizes pengasuh as a 'safeguard', regardless of the obedience.

Laporan penelitian ini berupaya menjelaskan sekaligus mengkritik politik representasi gender dalam drakor genre gender bender “Mr. Queen” yang menjungkirbalikkan gender serta kaitannya dengan wacana gender di Korea Selatan dan di Indonesia. Menggunakan analisis wacana kritis Sara Mills, terbukti bahwa representasi gender dalam drakor “Mr. Queen” bersifat paradoks; seolah-olah menawarkan wacana gender yang mendobrak wacana dominan, namun ternyata masih merepresentasikan perempuan sebagai subjek pasif yang terus dieksploitasi.

One type of tourism that is interesting to note is cultural tourism with the concept of local wisdom. In Jatimulya, Bekasi Regency, West Java, there is a tourist attraction called Rumah Betawi Rawasapi which emphasizes the nuances of their local culture, namely the Betawi Tribe. Therefore, Rumah Betawi Rawasapi has a communication strategy to realize cultural tourism as well as being a place for preserving local wisdom.  The purpose of this research is to explain and analyze the communication strategies contained in the Rumah Betawi Rawasapi in the preservation of local wisdom. This research uses a qualitative approach as a method or way to obtain research objectives. Meanwhile, the research subject is the administrator of the Rumah Betawi Rawasapi tourist attraction. The location of this research is at the Rumah Betawi Rawasapi tourist attraction which is located at Jalan Al Huda Rawasapi RT003, RW009, Jatimulya Village, South Tambun District, Bekasi Regency, West Java. The results show that there are five communication strategies at Rumah Betawi Rawasapi in preserving local wisdom as an object of cultural tourism, namely redundancy, canalizing, informative, persuasive, and educative.