This article presents the study of the optimal design solutions for regeneration of marketplaces. It examines the design variants for the revitalisation of the marketplace, in particular, investment in their modernisation in order to find the most optimal model for transforming these public spaces to have a significant impact on the city’s development. The research is a comparative analysis of the implementation of regeneration design models on the marketplace within the Oliwa district of Gdansk (Poland).The data for the case study design models includes analysis based on various optimisation criteria, taking into account the urban and economic aspects of the city landscape when selecting a specific space revitalisation design model. The implementation of regeneration investment includes a number of complex processes that must be sustainable and so require rational social and spatial planning, as well as proper organisation in terms of cost and time.

By this point of view this side of Taut's professional activity in Turkey, until now quite ignored, turns to be essential in order to evaluate his role in the re-elaboration of monuments for the benefit of state ideology and his contribution on the topic right at the beginning of the construction of a restoration culture in Turkey.

The beginning of restoration works on a scientific base in Turkey dates back on 1933 when a specific committee for the protection of monuments (Anıtları Koruma Komisyonu) was officially appointed by the Ministry of Education. The preliminary working phase, carried on under the direction of this committee, was soon distinguished by the clear attempt to visualize the results in order to cast the monuments as national icons. The present paper's aim is to discuss this process of visualization focusing on the case study of a series of works realized in Edime from 1933 to 1944. Apart from the historical value of monuments included in the protection program, the study explores the ideological side of these works stressing their value as a pioneering enterprise of a modem nation that celebrated its emerging culture in the protection and preservation of monuments as a sign of progress and civilization. Edirne's restoration works in fact arouse a great deal of interest in the national press, becoming the best show-case for the effort of the Ministry. By this point of view the study focuses on the key-role played by the Turkish Historical Society in the construction of a visual narrative in the attempt to disseminate the result of these works. In particular the efforts of the Turkish Historical Society in advertising the scheduled interventions found their outlet in the editing of a set of postcards displaying Edirne's historical buildings. The result is a series of powerful images in which a number of buildings are re-casted as the first cultural-historical assets of the Turkish nation. The construction of this visual material was set according to a powerful aesthetic format, clear and instantly recognizable, in order to assure an immediate public reception of the historical heritage of the country. The collection of these images stands as a prime contribution in the construction of the national identity of the country thanks to the production of a collective visual heritage, that, on the ground of an effective popular aesthetics, was able to feature the idea of nation as a landscape of monuments.

Alcuni degli spazi archetipi della casa premoderna, nell’ultimo secolo, sono scomparsi dalle planimetrie in nome dell’ottimizzazione della superficie abitativa. Il sofa della casa turca, tra gli altri, potrebbe essere una interessante alternativa, tutta da sondare, per mettere in discussione la configurazione tipica dell’interno domestico occidentale. La sua origine come spazio di soglia lo riconduce a una introflessione della corte anatolica. Ne definiremo l’origine spaziale e tipologica e ci soffermeremo sulla sua inerente modernità, così come è stato rivalutato il ruolo della long gallery. Il sofa consentiva un viaggio domestico costellato da ricchezze visuali, esperienze intime, differenze spaziali. Si estendeva, piegava, allargava a possibili diversi utilizzi nella quotidianità domestica che la casa contemporanea necessiterebbe.