A specific survey for the detection of Drosophila suzukii Matsmura 1931 (Diptera, Drosophilidae) in Dalmatia region of the Republic of Croatia during 2013, confirmed that the pest is present and widespread. Adults were detected in traps suspended in Prunus cerasus L. (sour cherry), Prunus persica L. (peach), Ficus carica L. (fig) and Morus alba L. (mulberry) orchards and individual trees, during the fruit maturation period, in 16 (of the 51 locations) where traps were placed in Dubrova cko-neretvanska, Splitsko-dalmatinska,Sibenskokninska and Zadarska counties. This confirmed the rapid spread of D. suzukii in Croatia and this pest is a great concern for areas that are not yet infested that have favourable conditions for the pests' development. The results of the survey highlight the importance of the development and implementation of long-term sustainable control.

Unconventional marketing has the potential to contribute not only to the well-being of cultural institutions but also to the society by raising its general cultural level and fostering economic growth based on creative industries. This paper contributes to the theoretical explanation and understanding of the unconventional marketing approach by providing an overview of literature, a developed model of successful marketing in cultural institutions and an analysis of the objectives of such marketing. Based on empirical research on cultural institutions in the Republic of Croatia, the research objective was to contribute to identifying and understanding the factors that influence unconventional marketing as well as the potential for applying unconventional marketing in cultural institutions. Research was limited to three types of cultural institutions (theatres, museums and galleries) and it was conductedon a sample of 244 institutions by using a highly structured online questionnaire.

Since today's dynamic and competitive business environment increasingly requires additional level of competence, the project manager is, certainly, a profession whose value and demand is growing. As to reach the project objective, the project manager should have an adequate education, which is the reason why the corporations, especially in the Information Technology (IT) industry, are among leaders in investment to project management education and certification. The aim of this paper is to contribute to the identification and understanding of the project management education model in Croatia and explore possibilities for its improvements, especially in the field of the project management in the IT industry. For that reason, through 2018 and 2019, authors conducted the research on availability of project management education programs in Croatia, opportunities for international certification as well as attitudes of the project management professionals in IT sector on the existing education model. The study suggests that there is a growing trend of project managers’ certification, especially in the IT industry, as well as a variety of informal programs for project management education. Simultaneously, there is a lack of project management university study programs. Empirical results show that project management study programs lack the practical segment and are, in most cases, offering only fundamental theoretical knowledge. Therefore, authors, on the basis of the literature review and analysis of IT sector needs assessment, provide recommendations of the domains, to be included into future university study programs.

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U radu se analizira knjiga kritičarskih tekstova Zadovoljština u tekstu (1989) Gorana Rema kojoj se prilazi iz tradicionalne tipologije funkcionalnih stilova. Proučava se postojanje medijskih kodova i njihovo isprepletanje pri čemu kritičarski tekstovi, a i knjiga u cijelosti, poprimaju intermedijalni karakter. Rad nudi pregled zastupljenih funkcionalnih stilova (znanstvenoga, esejističkoga, književnoumjetničkoga, razgovornoga, žurnalističkoga, publicističkoga) te varijante medijskoga subjekta koje proizlaze iz iskustva kritičarskoga subjekta i kodova kulture (ponajprije medijske i rock-kulture) koje subjekt upisuje u čitanje i interpretiranje književnih predložaka. Rad pokazuje funkcionalnostilsku heterogenost kritičarskih tekstova u Zadovoljštini u tekstu te postojanje četiriju varijanata medijskoga subjekta na temelju čega se zaključuje da je riječ o hibridnim tekstovima imenovanim postkritikama čija hibridnost sugerira pripadnost postmodernoj kulturi.