This paper explores the role of colour and visual weight in developing craftsential e-commerce platform for enhancing the patronage of Nigerian arts and crafts. The paper articulates the impressive embrace of e-commerce as a viable alternative to physical retail shopping. The graphic user interface of craftsential e-commerce platform developed to exclusively promote arts and crafts was explored vis-à-vis colours and visual weight of the sites visual indicators and icons. The study administered the questionnaires on three hundred and thirteen respondents constituting of e-commerce users, graphic designers/artists and programmers. Statistical Package of Social Science (SPSS) was used to analyze the results. Findings revealed that the colourful graphic user interface (look and feel) of e-commerce stores facilitates immersive shopping experience online and concise visual weight and direction in the atmospheric cue of e-commerce stores, enhancing navigation. The study recommended that makers and sellers of Nigerian crafts should explore the limitless opportunities offered by e-commerce to leverage an impressive market embrace of their products that transcend their geographical constrains. In addition, to stimulate shopper’s interest, the images of retailed craft works displayed on e-commerce stores should reflect the product merchandizing, clarity and attractiveness that enhance shopping experience.

From ancient times, the Yorùbá people held in high esteem people who occupied reputable positions in their society. As such, at the departure of such people, they are immortalized in sculptural forms by the living.  Examples of this is Ako figures among the Ọ̀wọ̀ people, bronze figures representing past Ooni and Sango symbol which is represented in a carved double axe wand. This tradition continues in the contemporary time whereby some Yorùbá heroes are also rendered in sculptural images adorning selected open spaces. The paper thus, aims at examining some selected Yorùbá figures in public sculpture with a view to classifying and providing information about their life, contributions and philosophy that serve as good examples to the public. In achieving this, formal and contextual analytical methods are used.

This paper titled Personal Aggrandizement: An Insight into Ben Enwonwu’s Privilege Position in the Evolution of Nigerian Art, looks at the first trained artists. How the artists were classified by their styles either in the naturalistic, the abstract or the expressive imageries. The study examines and compares the contributions of some Nigerian artists like Aina Onabolu, Ben Enwonwu, T. A Fasuyi and B. Akinbola who were one time privileged to have held a post as an adviser to the Federal Government of Nigeria. An interview with Professor Jimo Akolo revealed another dimension to the paper.