Esta resenha aborda a obra A gravidade da imagem: arte e memória na contemporaneidade, de Luiz Cláudio da Costa, atentando-se para as questões relativas ao ato fotográfico, os elementos de memória e arquivo trabalhados a partir das obras analisadas pelo pesquisador. Para tanto, recorremos às teses de Georges Didi-Huberman, Henri Bergson, Walter Benjamin e Jean-Luc Nancy.
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