Alternative female artists PJ Harvey and Björk negotiate themes of embodied female subjectivity not only as cultural concepts, but also as musical forms; their lyrical themes are crafted within a comprehensive network of creative textual and musical expression. This music challenges the analyst to explore systematically and describe coherently the links between the lived and embodied experiences developed in the song lyrics and the sonic and expressive elements in the music, in other words to explore the links between social and musical practice. This paper develops a music-analytic method for the interpretation of the dynamic musical processes that are engaged in a socially constituted artistic expression. Our objective is to illuminate embodied dimensions of meaning through the interpretation of the materials and strategies of lyrics and music.

No abstract