This study was conducted to see how inland people were described using Ferdinand de Saussure's semiotic methods. As a knife of analysis will be used the concept of blackness developed by Ed Guerrero to see aspects of behavior, intelligence, and emotions of the minority groups depicted in the film. The films analyzed are Sokola Rimba and Lost in Papua. The results showed that Indonesian films with the theme of education and social always attached the minority with the impression of being stupid, primitive and backward. In the category of behavior (behavior), inland people tend to be displayed close to backwardness (primitive) or evil. While intelligent (intelligence), they are described as having low intelligence or stupid, and emotionally (emotionally) are described as people close to violence. The research implications are expected to be a reference in the process of socially identifying tribes in the interior of Papua. Academically, this research is a space for the actualization of social semiotic analysis in Indonesia. ABSTRAKKajian ini dilakukan untuk melihat bagaimana orang-orang pedalaman digambarkan dengan menggunakan metode semiotika milik Ferdinand de Saussure. Sebagai pisau analisis akan digunakan konsep blackness yang dikembangkan Ed Guerrero untuk melihat aspek perilaku, kecerdasan, dan emosi dari kelompok minoritas yang digambarkan dalam film. Film yang dianalisis adalah Sokola Rimba dan Lost in Papua. Hasil penelitian menunjukkan, film Indonesia yang bertema pendidikan dan sosial selalu melekatkan kaum minoritas dengan kesan bodoh, primitif dan terbelakang. Dalam kategori tingkah laku (behavior), orang-orang pedalaman cenderung ditampilkan dekat dengan keterbelakangan (primitif) atau jahat. Sementara secara intelligent (kecerdasan), mereka digambarkan memiliki kecerdasan rendah atau bodoh, dan secara emotional (emosi) digambarkan sebagai orang-orang dekat dengan kekerasan. Implikasi penelitian diharapkan menjadi rujukan dalam proses identifikasi suku pedalaman Papua secara sosial. Secara akademik, penelitian ini menjadi ruang aktualisasi analisis semiotika sosial di Indonesia Kata kunci : film, orang pedalaman, tingkah laku, perilaku, emosi.
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