In cremation rituals in the Netherlands, music plays an important role. However, what exactly this role is remains unclear. In the literature on cremation rituals, music has received little attention up to now. A computational analysis of music played during cremations and a subsequent comparison of the results of this analysis with results of the analysis of two other playlists containing popular music shows that the crematorium playlist differs significantly from the other two playlists. The music played at cremations does indeed have specific properties, properties that correspond to notions typically expected at cremations, making it suitable for the occasion. Theories of the relation between musical properties and emotions indicate that the music played as part of cremation rituals can be qualified as serene, solemn and tender. Here, we provide computational evidence that this is indeed the case.

The spiritual dimension is considered to be a central component of palliative care. However, healthcare professionals have difficulties incorporating the spiritual dimension into their everyday practice. We propose a new approach by looking beyond the mere functionality of care practices. Rituals and ritualized practices can serve to express and communicate meanings and values. This article explores how ritualized practices have the ability to open up space for the spiritual dimension of care in the context of palliative care.

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Although music is an important part of cremation rituals, there is hardly any research regarding music and cremations. This lack of research has inspired the authors to conduct a long-term research project, focusing on musical and linguistic aspects of music played during cremations. This article presents the analysis of a playlist consisting of twenty-five sets of music, each consisting of three tracks, used in a crematorium in the south of The Netherlands from 1986 onward. The main objective is to identify the differences and similarities of the twenty-five sets of musical tracks regarding content and musical properties. Consequently, we aim to provide insight in the history of (music played during) cremation rituals in The Netherlands. To analyze the musical properties of the sets, the authors use both a qualitative approach (close reading and musical analysis) and a computational analysis approach. The article demonstrates that a combination of a close reading and musical analysis and a computational analysis is necessary to explain the differences in properties of the sets. The presented multi-method approach may allow for comparisons against musical preferences in the context of current cremations, which makes it possible to trace the development of music and cremation rituals.