A movie can be used as an effective and feasible medium for delivering messages; this served as the study’s rationale. This research acquired communicative speeches in the Salahuddin Al Ayyubi movie. This research aimed to explore two objectives: to describe the form of directive speech acts and to find out the functions of the directive speech acts. The techniques used in this research comprised: (1) uninvolved conversation observation; (2) recording; (3) transcription; and (4) note-taking. The results showed that (1) there were six forms of directive speech acts in the dialogues of "Saladin al-Ayyubi", i.e., imperative, request, invitation, advice, criticism, and prohibition; (2) the functions of directive speech acts in the dialogues of "Saladin al -Ayyubi” are quite varied. The imperative functions had 83 speech data. The request function comprised 52 speech data. The invitation function involved 33 speech data. The advice function consisted of 39 speech data. The criticism act had 13 speech data. The prohibition function consisted of 23 speech data.

The objectives of this research are; (1) Identifying the form of illocutionary speech acts found in Gamal Al Ghitani's Zainy Barakat novel; (2) Determine the pragmatic function of illocutionary speech acts contained in the novel Zainy Barakat by Jamal Al Ghitani.This research is a qualitative research, the research design is in the form of a literature study (study research), the data collection technique is a note-taking technique, the research instrument uses data cards and data recapitulation sheets, while the data analysis method uses the extralingual equivalent method. In this study research, 155 speech acts were found which were divided into 5 forms of illocutionary speech acts and 4 speech act functions. Based on the analysis of the utterances, it can be detailed as follows; 43 forms of assertive illocutionary speech, 61 forms of directive illocutionary speech, 11 forms of speech illocutionary commissive, 38 forms of expressive illocutionary speech, and 2 forms of declarative illocutionary speech. Of the five forms of illocutionary speech, directive speech is the most common, and the form of declarative speech is the least used. Pragmatic functions are classified into four kinds of functions, namely competitive, conventional, collaborative and conflictual. In the novel Zayni Barakat found four kinds of functions which are detailed as follows: 58 competitive functions, 28 conventional functions, 47 ​​collaborative functions and 22 conflictive functions. From these data, the most pragmatic function found is the competitive function, and the least is the conflictive function.

The aims of this study are: (1) to describe the morphological formation of Asmaul Husna; (2) describe the Asmaul Husna slot; (3) describe the Asmaul Husna pattern model; (4) describe the case and the syntactic function of Asmaul Husna; (5) describe the grammatical markers on Asmaul Husna in the Qur'an. This research is an analysis of Asmaul Husna's morphosyntactic in the Qur'an. This research is a qualitative research with library research design. The data of this research are presented with the consideration sample technique. In this study, from 156 data of Asmaul Husna found 3 data ism jamid, and 153 data ism musytaq. There are 91 mubalaghah data slots, 21 ism fa'il data slots, 6 mashdar data slots, and 35 musyabbahah sifah data slots. There are 97 data on raf' cases, 31 data on nashb cases and 33 data on jar cases. There are 2 data as mubtada', 51 data for khabar case, 3 data for fa'il case, 28 data for khabar inna, 10 data for na't (marfu'), and 3 data for ma'thuf (marfu'), 21 data for khabar kana, 2 data as maf'ul bih, 1 data as munada, 6 data as tamyiz, and 1 data as na't (manshub), 8 data as majrur, 5 data as mudhaf ilaih, and 18 data as na't ( majrur), and 2 data as badal (majrur). There were 91 data marked with dhammah dhahirah, and 1 data marked with dhammah muqaddara, 31 data marked with fathah dhahirah, and 33 data marked with kasrah dhahirah.   Asmaul Husna merupakan kumpulan 99 nama-nama Allah yang menunjukan keindahan dan keperkasaan Allah. Penelitian ini merupakan analisis morfosintaksis Asmaul Husna di dalam al-Qur’an menggunakan penelitian kualitatif dengan desain studi pustaka (library research). Data penelitian ini disajikan dengan teknik sampel pertimbangan. Dalam penelitian ini, dari 156 data Asmaul Husna  ditemukan 3 data ism  jamid, dan 153 data ism musytaq. Tedapat 91 data slot mubalaghah, 21 data slot ism  fa’il, 6 data slot mashdar, dan 35 data slot sifah musyabbahah. Terdapat 2 data dengan model pola فَعَل, 5 data dengan فَعْل, 4 data dengan فَعِل, 79 data dengan فَعِيْل, 9 data dengan فَعْلَان,  15 data dengan فَعُوْل, 2 data dengan فُعُّوْل, 1 data dengan فَعَال, 17 data dengan فَاعِل, 15 data dengan فَعَّال, 1 data dengan مُفعِل, 1 data dengan مُفَيْعِل, 1 data dengan مُفَعِّل, 1 data dengan مُفْتَعِل 1 data dengan  مُتَفَعِّل, dan 1 data dengan مُتَفَاعِل. Terdapat 97 data raf’, 31 data nashb dan 33  data jar. Terdapat 2 data sebagai mubtada’, 51 data khabar, 3 data fa’il, 28 data sebagai khabar inna, 10 data na’t (marfu’),dan 3 data ma’thuf (marfu’), 21 data khabar kana, 2 data maf’ul bih, 1 data munada, 6 data tamyiz, dan 1 data na’t (manshub), 8 data majrur, 5 data mudhaf ilaih, dan 18 data na’t (majrur), dan 2 data badal (majrur). Ditemukan 91 data berpenanda dhammah dhahirah, dan 1 data berpenanda dhammah muqaddarah, 31 data  berpenanda fathah dhahirah, dan 33 data berpenanda kasrah dhahirah.

In the writing of the Usmani Rasm Mushaf, the rules of alif and hamzah have the form and uniqueness of writing. This study describes the forms and analyzes the causes of the variants of writing hamzah and alif in Surah Al-Kahf. The purpose of this study is to provide education about the uniqueness and variants of writing hamzah and alif in the Holly Qur'an. This research is a qualitative descriptive research with library research research design. The data of this research are hamzah and alif which are sourced from the Surah Al Kahf in the Mushaf Pojok Kudus. Data collection techniques used the documentation method with research instruments in the form of data cards and recapitulation sheets. The data analysis technique uses an interactive analysis model with data reduction; data display; and drawing conclusions. The results of this study contained 190 Hamzah data and 235 Alif data contained in Surah Al Kahfi Mushaf Pojok Kudus. From 193 hamzah data, 36 data are hamzah qathi' category at the beginning of isim, 30 data are hamzah qathi' category at the beginning of fi'il, 62 data are hamzah washl category at isim, 18 data are hamzah washl category at fi'il, 21 the data is the hamzah category in the middle of the word, 12 data is the hamzah category at the end of the word, and 11 data is the hamzah category in the harf. Then there are 235 alif data consisting of 67 alif mamdudah data in the middle of the word, 156 alif mamdudah data at the end of the word, and 14 alif maqshurah data. The variants of writing hamzah and alif in the Surah Al Kahfi Mushaf Pojok Kudus are caused by the category of words that compose them and the use of the Ottoman rule which maintains the authenticity of the writing because of I'jazi.

The objectives of this research are; (1) To find out the directive speech acts used in the Wadjda film; (2) To find out the atmosphere of use, the means of use, who the speakers/users are, the field of use, and the area of ​​use as language variations related to the stigma of Arab ethnicity in the Wadjda film. This research is qualitative research, the research design is in the form of a literature study, the data collection technique is a free-talk-free listening technique, the research instrument uses data cards and data recapitulation sheets, while the data analysis method uses an informal presentation method. In this study, 237 directive speech act data were found which were divided into 55 forms of order; 86 forms of rule; 11 forms of ruling in negation form; 44 forms of advising; 19 forms of pleading; and 22 forms of recommending. The language variation that is highlighted in this study is the variation in terms of female speakers because this film is set in the social background of women's lives in Saudi Arabia.