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The suffering of terminally ill cancer patients underlines the need for good and well organized palliative care. WHO defines the palliative care as the active total care of patients and their families when the patient's disease is no longer responsive to curative treatment. Such a care can be obtained in hospices providing good symptom relief of advanced cancer, and emotional support for both patient and his family. Modern hospice movement started in the United Kingdom in the late sixties of the past century, and spread out all over the world. This paper presents a short history of the hospice movement and current worldwide situation in this field

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The results of the study showed that amlodipine affected autonomic modulation as a shift to sympathetic hyperactivity, but without statistical significance. In the selected group of patients with vagal predominance in sympathovagal balance, amlodipine increased sympathetic and decreases vagal activity. Therefore we conclude that amlodipine mostly exerts impact on autonomic function modulation in patients with vagal predominance in resting state.

The aim of this research was to check potential differences in music preferences between musicians and non-musicians. Music preferences were evinced by a short test on the topic (STOMP-R: Rentfrow & Gosling 2003), of the four types of music: Reflexive and Complex, Intense and Rebellious, Upbeat and Conventional, Energetic and Rhythmic. A sample of 209 students from the University of Niš (M=75; F=134), 112 non-musicians and 97 of musicians, were asked to give their opinion. The results of the t-test showed that there are differences between musicians and non-musicians as far as the preferences for one type of music or another is concerned. Statistically significant differences were found for the Reflexive and Complex music (p=.000), as well as for the Upbeat and Conventional music (p=.001). All statistically significant differences were in favor of the musicians. These results show that musicians prefer Reflexive and Complex as well as Upbeat and Conventional music, while differences don’t exist for the remaining two types of music. On the other hand, when it comes to differences in the preference for Upbeat and Conventional music, they can be attributed only to female subsample, so only female musicians differ from female non-musicians when it comes to preference for this type of music (p=.001), while male musicians don’t differ from male non-musicians, on the preference for thins genre (p=.213).