Music, even at it s formal level, says Rose Rosengard Subot nik, is t o be underst ood as an embodiment of specific cult ural and social values, as defined wit hin t he int erpret er's own cont ext. In Developing Variat ions, Subot nik crit ically employs t he insight s of Adorno, Kant , Hegel, and Marx t o analyze t he works of Mozart , Beet hoven, Chopin, and Schoenberg.

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