This paper presents a narrative-semiotic approach to the study of the processes and mechanisms of the 20th century French literary works. The complex methodology of the research is underpinned with the inter-paradigmatic methodological principle, according to which the narrative strategy of literary text production instantiates the author's individual narrative program of constructing narrative reality of a certain type, which is characterized by space-time continuity and stylistic figurativeness.

The article deals with the concept of hyperrealism in the projection on a fictional work of the 20th-21st centuries. The study is focused on the features and techniques of hyperrealism, inherent in different types of art, which have been reflected in literature, in particular French literature. The period of powerful development of digital technologies made scientists wonder about the essence of reality, and taking into account the fact that the latter can create their own reality, their attitude towards it acquires different, modified features: what I see may be or may not be reality. Thus, the dominant philosophy of this period is the attempt to manipulate reality in various forms of art, both verbal and fine art. Hyperrealism in painting, sculpture, and cinema uses similar techniques. Therefore, the purpose of this article is to find out the techniques and means of hyperrealism in the French literature of the 20th-21st centuries. Works of French writers whose creativity is consonant with the techniques of creating/reproducing excessive reality in a literary text were selected as the illustrative base of the research. The methods of component and linguostylistic analysis, as well as elements of communicative-pragmatic and descriptive analyzes were applied to achieve the desired objective. Thus, in the article the narrative technique of detailing the image is positioned as the dominant technique of hyperrealism in French prose works, functioning at the compositional, linguistic, and syntactic levels of the literary text. It is found out that this technique is accompanied by a detailed description of the photograph as a reflection of the development of photorealism precisely in this period and by a realistic description of the city acquiring forms of working with the map. Detailing that runs through the whole content and structure of a fictional work of art is aimed at the reader, in particular at gaining his/her confidence in the events and/or actions depicted. Herewith, the text has a minimum of evaluative characteristics that could simulate the reader's opinion regarding events and/or actions, since all the detailing is directed to the free judgment of the reader. Therefore, the detail is the key element by which you can "grab" the reality, because changing the detail gives rise to a new spiral of reality. The content of the article can serve for further studies of modifications of the concept of reality, its dependence on the worldview of a man, and its multidimensionality on the material of works of fiction or other arts from the perspective of psycho or sociolinguistics.

У статті розглянуто основні особливості конструювання модерністської оповідної реальності у французькому прозовому тексті періоду Нового роману. З метою виявлення текстотвірного потенціалу лабіринту як знаково-мовної структури відображення наративної стратегії експресія в романі французького письменника Алена Роб-Грійє "Dans le Labyrinthe" з'ясовано головні закономірності породження та розгортання оповідної реальності, яка відзначається деформацією та викривленням власних кордонів за рахунок розширення та розтягнення меж простору й часу. Установлено, що в аналізованому прозовому тексті значущими показниками естетики модернізму в контексті текстотворення є ігрова концепція письма та поетика кінооповіді.

The monograph represents a new interpretation of the relationship between the phenomenon of a Man and the triad of LANGUAGE -CULTURE -DISCOURSE. Taking into account the new cognitive-discursive approach, the authors made an attempt to harmonize their scientific observations with the content of the studied macrolinguistic issues in three parts of the monograph. A general methodology was developed for analysis of factual material. The key narratives of each type of discourse reproduce the value constants and dominants of ethnic groups at various stages of civilizational and planetary development. The concept of the monograph is the triad of LANGUAGE -CULTURE -DISCOURSE that is interpreted as an extremely complex synergistic continuum of an open type, which takes on material form with the participation of a Man, i.e. a representative of certain social communities and, at the same time, a generator of various types of speech, which ensures efficient communication of its participants. Figures 15, Tables 4, References 313 items.

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