This article is based on an ethnographic report of a long-term artistic workplace in the inside world of a social high-rise ensemble. The communal ‘atelier’ functioned as a repair workshop (Allemeersch et al. 2014) concerned with re-negotiating the relation and knowledge between the inside and outside world. Through a synchronic ethnographic report on the inside world of the housing ensemble, this article aims to characterize the lived citizenship (Warming and Fahnøe 2017) of residents, formal and informal, based upon the opposition between formal and informal order (Goffman 1966; Scott 1998), the notion of ‘underlife’ (Goffman 1963/1996) and hidden and public transcripts (Scott 1990). As the deserted stronghold of a previously ‘pillarized’ welfare state, this article pictures an inside world that is unbalanced between formal and informal order, and lacking the latter (Scott 1998). This results in a social closure between the inside and outside world, and the loss of self of residents. Essentially, residents are caught in the double bind between isolation and social closure (Wacquant 2008) on the one hand, and the loss of façade (Goffman 1959/2019) on the other. Without a qualitative understanding of the inside world of high-rise social housing the outside world institutions act without any knowledge of ‘the community that many residents were able to create in such adverse conditions’ (Goetz 2011, p. 270), and the difficult relation these residents have developed towards their own environment and housing, state intervention and the public services (Wacquant 2008).

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