Tujuan penelitian ini adalah untuk mengetahui penggunaan diksi serta fungsinya dalam lirik lagu Tarlingdut karya Abdul Adjib. Penelitian ini menggunakan metode deskriptif kualitatif. Data penelitian berupa frasa, kata, dan kalimat dalam lirik lagu Tarlingdut karya Abdul Adjib. Teknik pengumpulan data yang digunakan dalam penelitian ini menggunakan teknik inventarisasi, baca-simak, dan pencatatan. Analisis data dalam penelitian ini menggunakan model Milles dan Hubberman. Hasil penelitian menunjukkan bahwa empat buah lagu ciptaan Abdul Adjib menggunakan diksi atau pilihan kata yang estetis dalam hal pemilihan kata. Selain itu, dalam lirik lagu Tarlingdut banyak menggunakan diksi yang diambil dari serapan bahasa (1) Jawa khas Cirebon dan (2) bahasa asing yang terdiri dari bahasa Arab, Inggris dan China, serta pemanfaatan sinonim.

Song lyric is a mean to express the writer�s message publically. The message itself can be understood through understanding the writer�s diction (choice of words). This article concerns to Anom�s choices of words on his own �Tarlingdut� song lyrics. This research aims to reveal Anom�s choice of words on his Tarlingdut song lyrics by using stylistic approach. The method used in this research is descriptive qualitative. Inventory report, repetitive and comprehensive reading, and record keeping are techniques used to collect the data. The result shows that Anom�s choice of words in his nine song lyrics is aesthetic and unique. The result of the research is expected to make some contribution in understanding Tarlingdut songwriters� choice of words to express their ideas.

<p>In terms of beauty or aesthetic aspect which contained in the choice of words of a poet, is an actualization of ideas  or concepts  that attracted of  readers.  Script is a literary work originating from the thinking process of each local poet to actualize his or her ideas and concepts. In relation with the contents packed with the beauty of language use, this research focuses its studies on the Javanese script with <em>piwulang</em> (doctrine) category, namely: <em>Sêrat Ciptan Sabên Esuk</em>. The objectives of this research are to explain: (1) the peculiarity of language sounds aspects, (2) the peculiarity of the utilization of archaic forms. This research used the descriptive qualitative method. The sources of the data were the transliterated script of <em>Sêrat Ciptan Sabên Esuk</em> by Teja in 2014 and its original one. The data included assonance, alliteration, and repetition; the use of archaic forms. The data of research were collected through listening and recording techniques and analyzed by extralingual similirity method. The result of research shows that in the script of <em>Sêrat Ciptan Sabên Esuk</em>, which is in the prose form, are found the use of  assonances, and archaic forms which generally found in poetry (javanese song).</p><p> </p><p> </p><p><strong>Keywords</strong>: <em>Sêrat Ciptan Sabên Esuk</em>, the peculiarity of language sounds, and archaic forms of words.</p>

Tulisan ini bertujuan memaparkan korelasi antara produksi seni sastra, seni teate, dan film serta menjelaskan keterkaitan yang erat antara urbanisasi, industrialisasi, dan urbanisme dengan perkembangan iptek dan seni, termasuk seni sastra, seni drama/teater, dan seni film/sinetron. Seirama dengan dinamika proses globalisasi di segala bidang, termasuk budaya dan seni, fenomena tersebut akan berdampak pada proses akulturasi lintas/silang budaya, perge- seran dan atau perubahan tata nilai dan identitas budaya bangsa. Akankah muncul identitas bu- daya ’baru’ (sebut yang khas ’urban’) dengan cara mengesampingkan atau membuang jauh-jauh identitas budaya ’lama’ (sebut tradisional) yang dianggap sudah ketinggalan zaman? Bagaimana sepantasnya ’masyarakat sastra, teater, dan film’ menyikapi fenomena-fenomena tersebut secara kritis, realistis, dinamis, dan arif? Serial Sinetron Film “Intan” dalam makalah ini diambil seba- gai studi kasus karena rating-nya yang relatif konstan tertinggi jika dibandingkan dengan serial sinetron film lainnya di media yang sama dalam kurun waktu yang sama. Abstract: This paper is aimed to describe correlation between literary, theater, and film art production and explain the strong interrelatedness between urbanization, industrialization, and urbanism by the development of science technology and art, including literary art, drama/theater art, and film/sinetron art. Along with the dynamic of globalization process in all aspects, including culture and art (literary, theater, and film art in this case), the phenomena will have influences to cross/inter-cultural acculturation process, shift and/or change in a nation’s cultural identity and values. Will a ‘new’ (call it urban) cultural identity emerge by putting aside or getting rid of the ‘old’ cultural identity (call it traditional) which is regarded as old fashion? How should a ‘literary, theater, and film community’ behave critically, realistically, and dynamically, and wisely to the phenomena? Sinetron series Intan in this article has been taken as a case study for its relatively-constant-high rating compared to other sinetrons in the same media and period. Key Words: literary art, industrialization, urbanism

Social criticism has a role in creating balanced, safe and peaceful civil society harmonious life. This study described social criticism in poem anthology by Joko Pinurbo, Surat Kopi, using a qualitative descriptive research method with hermeneutics and stylistics method. The research instruments were the researchers assisted by informants. To examine the poems, the researcher interpreted the poems that contained social criticism then they were described. The results showed that social criticism in the ten poems with the theme of the letter was very effective and elegant, with four types of diction used: denotation, connotation, concrete, and abstract diction. Joko Pinurbo's poems were able to reflect the social conditions of the community while capturing various problems around them. Denotation and concrete dictions were widely used in the ten poems. This avoided confusion to the reader because they utilized minimum figurative language. The message of poems could be captured clearly and explicitly; there were not many interpretations arose but still promised a depth of meaning.