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Mason & Dixon's examination of America's origins is informed by a dual temporal perspective: that of the late eighteenth century during which the modern nation-state was conceived and the late twentieth century in which a globalized economy and rise of huge conglomerates have led critics to proclaim the era of the nation-state as over. With New World slavery jettisoning all notions of American exceptionalism, colonial faction preventing national consolidation, and the very shape of the earth making the actuality of America impossible to determine with any fixity, establishing what is American becomes an act of representation. Pynchon portrays that act as less a function of politics, as the colonists demanded, and more a question of aesthetics, as the pictorial mapping in which his surveyors engage illustrates.
John Updike is one of the most prolific and important American authors of the contemporary period, with an acclaimed body of work that spans half a century and is inspired by everything from American exceptionalism to American popular culture. This Companion joins together a distinguished international team of contributors to address both the major themes in Updike's writing as well as the sources of controversy that Updike's writing has often provoked. It traces the ways in which historical and cultural changes in the second half of the twentieth century have shaped not just Updike's reassessment of America's heritage, but his reassessment of the literary devices by which that legacy is best portrayed. With a chronology and bibliography of Updike's published writings, this is the only guide students and scholars of Updike will need to understand this extraordinary writer.
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