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Reviews
through and among the various versions, alerting the reader to changes and choices made by each new author.This book is not a history of the refundici6n, as Ganelin clearly states, but rather a look at several significant texts and the history of the refundici6n of those texts. As such, it provides an excellent look at a forgotten sub-genre and establishes a need for a complete history of this important phenomenon. An Appendix of theater reviews (193-223) enables the reader to get a more textured feel for the passions of the debate over the refundici6n in nineteenthcentury Spain; with Index, Bibliography, and Notes.
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