Today ICT plays a very important role in the industry community to interact, exchange information, and to support business processes that they move to digital transformation. So, our theme of this conference is Fostering Innovation in The ICT Ecosystem. First of all, I would like to extend my sincere appreciation to IEEE Indonesian Section for continuous support and to the honorable keynote speakers for sharing knowledge and research experiences. I thank you very much to committees and volunteers, especially from School of Information Systems. I proudly inform that ICIMTech 2020 received 392 papers and 178 high quality of papers were accepted and would be presented in this conference. They are from several countries overseas and Indonesia. More than that we have experts from academia and professionals will share their knowledge and research experiences related with our theme of conference. We believe you will enjoy and improve your knowledge and experiences as well. This event is a great opportunity for social networking and there are discussions among us in current and latest Information Management and Technology. Hopefully, as researchers, academicians, professionals, and students from various research background will contribute on improvement of knowledge and experiences, especially in the area of Big Data and Data Mining, Business Intelligent, e-Business,

No abstract

No abstract

No abstract

ABSTRACT Asrul Sani, along with Chairil Anwar and Rivai Apin, may sound familiar and renowned in litera­ ture, in spite of theatre, as one of the major literary figures of Angkatan ’45. Asrul Sani’s name might be known widely by the theatre activists and actors only as a translator. His name is observed because it is often cited in the translated drama text which is selected to be played. Those who are more observant and seriously wanted to explore their ability in acting will also find his name in the elderly book about acting methodology belongs to one of the Russian theatrical figures – again as a translator. Perhaps, we are practically unconcern about why his name is frequently cited as a trans­ lator in dramatic literature and our theatre, because we never seem to have dispute with the practice of translation itself. Therefore, the writing is directed to investigate and discover the substance that become the fundamental of his idea in the translation practice, and biographically, to disclose Asrul Sani’s influence (his consideration) toward the development of Indonesian theatre nowadays. Key words: Indonesian modern theater, postcolonial  ABSTRAK Asrul Sani, sama seperti Chairil Anwar dan Rivai Apin, mungkin terdengar tidak asing dan sangat terkenal dalam bidang sastra, selain teater, sebagai salah satu tokoh sastra uta- ma dari Angkatan ‘45. Nama Asrul Sani mungkin dikenal secara luas oleh para aktivis teater dan para aktor hanya sebagai penerjemah. Namanya diperhatikan karena sering dikutip dalam teks drama terjemahan terpilih untuk dimainkan. Mereka yang lebih jeli dan secara serius ingin mengeksplorasi kemampuan mereka dalam berakting juga akan mendapatkan namanya dalam buku tua tentang metodologi akting milik salah seorang tokoh teater Rusia - juga sebagai penerjemah. Mungkin, secara praktis kita tidak peduli me- ngapa namanya sering disebut sebagai penerjemah dalam literatur drama dan teater kita, karena tampaknya kita tidak pernah melakukan perdebatan dengan praktek penerjemahan itu sendiri. Oleh karena itu, penulisan ini diarahkan untuk menyelidiki dan menemukan substansi yang menjadi dasar idenya dalam praktek penerjemahan, dan secara biografis, untuk mengungkap pengaruh (pertimbangan) Asrul Sani terhadap perkembangan teater di Indonesia saat ini. Kata kunci: Teater modern Indonesia, pascakolonial