In the travel industry, safety and security are imperative and any attraction sites which ignore these tasks stand to lose out on the intense competition for tourists. One way to ensure that safety and security are satisfactorily provided is to regularly assess and seek the perceptions of stakeholders. Studies that make such an attempt, particularly in a Nigerian Geopark are relatively underrepresented in the literature. This study therefore evaluates safety and security situations at a large geopark and one of the most visited tourist destinations in Nigeria. Through direct observation, an on-site assessment of safety and security measures was undertaken by experts. The assessment instrument was designed using an empirical adaptation of standards which have been suggested in the literature. In addition, members of the site management were interviewed on various outcomes of the field study. Generally, the safety and security architecture in the study area appeared to be insufficient as the management seemed restrained to be too proactive for fear of scaring wildlife and visitors. Besides, the management did not consider the site to be under any serious threat as no major accident and/or crime has been recorded in the last decade. The study concludes that safety and security approaches in the study area do not reflect standard measures but rather cautious approach and an overly dependence on a supposed good past record. The result of this study can facilitate standard practice for safety and security in tourist destinations. This study fills the knowledge gap by providing information on the Nigerian experience regarding safety and security of Geopark in the Global South.

From ancient times, the Yorùbá people held in high esteem people who occupied reputable positions in their society. As such, at the departure of such people, they are immortalized in sculptural forms by the living.  Examples of this is Ako figures among the Ọ̀wọ̀ people, bronze figures representing past Ooni and Sango symbol which is represented in a carved double axe wand. This tradition continues in the contemporary time whereby some Yorùbá heroes are also rendered in sculptural images adorning selected open spaces. The paper thus, aims at examining some selected Yorùbá figures in public sculpture with a view to classifying and providing information about their life, contributions and philosophy that serve as good examples to the public. In achieving this, formal and contextual analytical methods are used.

The Yorùbá are popular for the peculiar art forms, which include woodcarving, textile design, metalwork, cloth weaving and embroidery, beadwork, costuming, pottery, architectural ornamentation, mural paintings, body beautification among others. The Yorùbá artists produce unique forms in these diverse areas of art. These forms often bear visual renditions of symbolism that are pregnant with socio-political meanings. This paper is, therefore, aimed at examining the symbolism of power and control among the Yorùbá found on some of the art forms. This is with the view of understanding the belief of the people about power and its control in the development of the Yorùbá nation. Photographic data for the paper were gathered from written literature and fieldwork. Formal and contextual methods were employed in the analysis of the data. In the course of analysis, oral traditions such as songs, proverbs, etc. were used. It was found out that the exercise of socio-political power in the Yorùbá society is a product of their belief system and philosophy as expressed in their art forms.