“…In the current decade, scholars started to contemplate the peripheries as cultural 'factories' (Bentes, 2009;Nascimento, 2012); locations that could attract sufficient interest to receive 'visitors' and host media production initiatives (Martins, 2015;Davis, 2015). As unprecedented images started to emerge on social media directly from the streets of distant neighbourhoods (Freitas, 2008;Freitas & Espírito Santo, 2015), the real challenge remained, when considering the hierarchical framing limiting the potential of these images. For instance, instead of showing the ' centre' first, the periphery would appear at the beginning of TV shows, but in a screed of reports displaying graphic violence broadcast nationally (Becker, 2009: 50).…”