Affect, Ontology, and Indigenous Protocol:                               Encounters in Canada

Diamond, Beverley

doi:10.7767/9783205232872.117

Cited by 2 publications

(4 citation statements)

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“…Christian traditions are best represented in those music therapy publications dealing with religion (e.g., Boyce-Tillman 2016; Koivisto 2016; Kim and Dvorak 2018;Thomason-Smith 2020) but other traditions are also present such as Islam (Muradoglu 2017), Buddhism (Clarkson 2017), and Judaism (Seri and Gilboa 2018). Literature pertaining to indigenous religious traditions include a range of geographic and cultural perspectives from across Asia (e.g., Wells 2015;Diao 2021), Africa (e.g., Adekola 2018Kusienya and Masasabi 2019), Latin America (Hachmeyer 2017;Newson 2020), andNorth America (e.g., Love 2018;Diamond 2019).…”

Section: Discussionmentioning

confidence: 99%

“…Recent studies of Native American hymnody continue a long line of research in this sub-field (e.g., Marshall 2018;Goodman 2019;Wheeler and Eyerly 2017;Wigginton 2021). This recurring trend is a point of recent critique by Diamond (2019) when she asks, "but why hymnody?" (Diamond 2019, p. 252), a question these contemporary authors appear prepared to answer, or at least confront.…”

Section: Indigenous Traditionsmentioning

confidence: 99%

“…This research includes Lebaka's analysis of music and religion in Bapedi society in South Africa (Lebaka 2020), and Yoon's article on ritualized urtyn duu ("long song") amongst nomadic herders in Mongolia (2018). Several sub-themes emerge within this literature including the association of indigenous music with rites/ceremonies based on "indigenous ontologies" (Diamond 2019), including ancestor veneration and cosmology (So 2015;Adekola 2018;Bell 2018;Lepofsky et al 2020) and healing (Clark 2017;Hämäläinen et al 2021). Discourses related to "spirituality" and the musical sub-discipline of ecomusicology also emerge within the literature on indigenous ontologies (Ryan 2016;Yoon 2018).…”

Section: Indigenous Traditionsmentioning

confidence: 99%

“…They propose a "globalizing indigenous religious formation" that could further unite global indigenous peoples to challenge colonial power and authority. The terms "reconciliation" (Bartleet 2019), "reciprocity" (Rakena 2018), and "intercultural relations" (Diamond 2019), are all used to variously address the impacts of colonization, its continued influence, and to implement anti-colonial ideologies and practices.…”

Section: Indigenous Traditionsmentioning

confidence: 99%

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Music and Religion: Trends in Recent English-Language Literature (2015–2021)

Wiebe

2021

Religions

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This article reviews recent (2015–2021) English-language publications that focus on music in/as/about religion (broadly defined)—including world, folk, and indigenous religious traditions. While research related to Euro–American-based Christian music accounts for more publications than any other single tradition examined, this review intentionally foregrounds religions that are not as well represented in this literature, such as Islam, Hinduism, Confucianism, and folk and animistic traditions from around the world. Recurring trends within this literature elucidate important themes therein, four of which are examined in detail: (1) race and ethnicity, (2) gender and sexuality, (3) music therapy (and medical ethnomusicology), and (4) indigenous music. Broadly speaking, recent (2015–2021) publications related to religion, music, and sound reflect growing societal and political interests in diversity and inclusion, yet there remain perspectives, ideas, and ontologies not yet accounted for. The list of references cited at the end of this article represents only those publications cited in the review and a more comprehensive bibliography is available via an open-sourced Zotero group.

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Section: Discussionmentioning

confidence: 99%

Section: Indigenous Traditionsmentioning

confidence: 99%

Section: Indigenous Traditionsmentioning

confidence: 99%

Section: Indigenous Traditionsmentioning

confidence: 99%

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Music and Religion: Trends in Recent English-Language Literature (2015–2021)

Wiebe

2021

Religions

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Towards a relational model of musical knowledge: Findings from a Belfast-based case study

O’Flynn,

Fullam

2024

International Journal of Music Education

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This article reports on a case study involving 44 adults based in Belfast, Northern Ireland for the research project Bridging Musical Knowledge. Data were gathered via project website creation and an online survey carried out during early stages of the COVID-19 pandemic. Developing an interdisciplinary epistemic framework that draws on theory from music education, ethnomusicology and musicology in conjunction with the analysis of qualitative data, it finds two major tendencies across multiple perceptions/experiences of musical knowledge as reported by participants: first, to value formal and practical aspects in the attainment of musical knowledge, and second, to consider familial, communal and other sociocultural contexts as central to musical knowledge development. Interpreting a dialectical tension between reified and experiential accounts as reflective of historically embedded distinctions, the authors propose a relational model of musical knowledge, encompassing comparative conceptions of music theory and discourse.

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Affect, Ontology, and Indigenous Protocol: Encounters in Canada

Cited by 2 publications

References 0 publications

Music and Religion: Trends in Recent English-Language Literature (2015–2021)

Music and Religion: Trends in Recent English-Language Literature (2015–2021)

Towards a relational model of musical knowledge: Findings from a Belfast-based case study

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