Airway algorithms – a time for change

Green, T.; Green, R.

doi:10.1111/j.1365-2044.2009.06040.x

Cited by 2 publications

(4 citation statements)

References 5 publications

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“…4 Green and Green highlight that difficult airway management can have significant impact on the patient"s morbidity and mortality. 26 A secure airway and effective ventilations early in patient management is said to improve long term patient outcomes. 29 Bickenbach et al also support the notion of preventing hypoxia by securing the airway and proving adequate ventilations to maintain perfusion is most beneficial for the patient.…”

Section: Discussionmentioning

confidence: 99%

“…Medical Students (1 st year) -Adult Mannequin Study on successful ventilation 1, 25 2 Cochrane Review of Randomised and Quasi-randomised Trials 13 1 HMO & EMT Prospective Randomised Cohort Study 24 1 Review on LMA 10, 11, 23 3 Airway Algorithm 26 1…”

Section: Other Studiesmentioning

confidence: 99%

“…24 The final two studies included a medical student adult mannequin study 25 and an airway management algorithm. 26 The twelve prehospital studies investigated airway management, including LMA and/or BVM, and effective ventilations. In the prehospital studies; there were one adult mannequin study utilising paramedics 7 and one paediatric mannequin study utilising paramedic students.…”

Section: Total 31mentioning

confidence: 99%

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Which is more Effective for Ventilation in the Prehospital Setting during Cardiopulmonary Resuscitation, the Laryngeal Mask Airway or the Bag-Valve-Mask? - a Review of the Literature

Flavell

Boyle

2010

Australasian Journal of Paramedicine

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Introduction Prehospital care providers are responsible for providing adequate ventilation during cardiopulmonary resuscitation (CPR). Endotracheal intubation (ETI) is widely accepted as the 'gold standard' for airway protection and the preferred method for ventilation. However, most Australian paramedics are not trained to perform ETI. Laryngeal Mask Airway (LMA) and Bag-Valve-Mask (BVM) are seen as adequate alternatives to ETI as recommended by the International Liaison Committee of Resuscitation (ILCOR). The objective of this study was to identify which airway device LMA or BVM (with OPA/NPA) is more effective in airway patency and ventilation during cardiopulmonary resuscitation in the prehospital environment. Methods A literature search was conducted using medical electronic databases, MEDLINE CINHAL, EMBASE, Meditext, Cochrane Central Register of Controlled Trials (CENTRAL), and Scopus. These databases were searched from January 1996 until the end of January 2010. Articles were included if the principal objective was to compare ventilation efficiency of the LMA against the BVM in the prehospital setting. References from articles retrieved were reviewed. Results There were 2937 articles located by the search. Of these, 30 articles met the inclusion criteria with twelve relevant to the prehospital environment. In the twelve prehospital studies, two involved the use of mannequins, four were retrospective, five were observational, and there was one a literature review. Conclusion The findings from this review suggest that the LMA is more effective at ventilations over time during CPR in adults, as there is less risk of gastric regurgitation and pulmonary aspiration. The BVM is quicker at performing the first ventilation but there is a loss of effectiveness over time. BVM is considered the best method for ventilating children and neonates.

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Section: Discussionmentioning

confidence: 99%

Section: Other Studiesmentioning

confidence: 99%

Section: Total 31mentioning

confidence: 99%

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Which is more Effective for Ventilation in the Prehospital Setting during Cardiopulmonary Resuscitation, the Laryngeal Mask Airway or the Bag-Valve-Mask? - a Review of the Literature

Flavell

Boyle

2010

Australasian Journal of Paramedicine

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“…The female voice has a sense of embodying the space internal to the listener rather than external, as Greene argues that the female voice is Frames Cinema Journal, Issue 21 (2023) Copyright © the author 185 recorded "without a sense of the reverberant space in which it is situated", providing "a very close aural perspective that invites intimacy with the audience". [37] This gives Kaji's voice a profoundly more resonant tone, impacting the audience and making them feel as though her call for feminine vengeance exists within them. Her singing the theme as voiceover represents the fantastical vengeance that frees her voice of bodily constraints, allowing her to live on after death and achieve a transcendent perspective on her world.…”

Section: Love Songs Of Vengeancementioning

confidence: 99%

The Voice of Meiko Kaji in 1970s Japanese Exploitation Cinema

Curry-Machado

2023

Frames

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The Voice of Meiko Kaji in 1970s Japanese Exploitation Cinema by Ash Johann Curry-Machado Meiko Kaji was a singer and actress in the Japanese exploitation cinema of the 1970s, a feminine cinematic icon of vengeance who used her voice in interesting juxtaposition to violence. Her filmography exemplified the inherent beauty and dangers of Japanese grindhouse through performances that embodied the anarchic spirit of the time. Pairing her cinematic appearances with songs that vocalise themes of vengeance, they intertwine with her central feminine struggles through lyrics that paint the films' violence.Kaji was particularly prolific between 1970 and 1974. This was a period where Japanese cinema struggled to retain audiences that were becoming increasingly captivated by television, resulting in "the sluggish film industry" needing help in revitalising. [1] This "required films that would stand out", resulting in "the coming 70's heralding a newer, edgier take",[2] successfully ushering in "the era when turnover was at its highest".[3] During the 1950s, women were little better than "window dressing" for the "macho world" of samurai action films and yakuza crime dramas, as "aggressive physical behaviour by a woman was not tolerated in mainstream entertainment."[4] Conversely, Yuko Mihara Weisser argues that the 1970s provided "the most nurturing climate for the concept of action divas to grow," guiding an aesthetic of grace amidst the brutality.[5] Weisser highlights how far Japanese female characters had progressed in representation, "undeniably influenced by America's feminist movement" with "a bolder, naughtier approach to entertainment".[6] To Laura Treglia, exploitation cinema in the 1970s prided itself on featuring "powerful visions of women's rebellion and retributive fury". [7] Kaji was one of many female performers raised by studios to exploit their bodies in cheaply produced films that could be delivered to youthful Japanese audiences as quickly as possible (in 1970 alone, Kaji performed in twelve films). Rikke Schubart described her as "a hauntingly beautiful, enigmatic, and seductive actress", whose characters possess "a lonely existence immersed in darkness".[8] Playing fashionably dressed gang leaders, convicts, outlaws and assassins, Kaji all but replaced the male-dominated samurais that came before. She found immense popularity due to her combination of striking performance with beautiful singing in 'enka' style, which combines traditional Japanese musical techniques with electric

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Airway algorithms – a time for change

Cited by 2 publications

References 5 publications

Which is more Effective for Ventilation in the Prehospital Setting during Cardiopulmonary Resuscitation, the Laryngeal Mask Airway or the Bag-Valve-Mask? - a Review of the Literature

Which is more Effective for Ventilation in the Prehospital Setting during Cardiopulmonary Resuscitation, the Laryngeal Mask Airway or the Bag-Valve-Mask? - a Review of the Literature

The Voice of Meiko Kaji in 1970s Japanese Exploitation Cinema

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