2017
DOI: 10.1109/tifs.2017.2661724
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An Audio Watermark Designed for Efficient and Robust Resynchronization After Analog Playback

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Cited by 23 publications
(5 citation statements)
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“…It is difficult to resist these attacks by considering only the embedding and extraction algorithms. Various strategies for selecting embedding regions have been proposed in the literature, among which RASE [ 36 ] and RFPS [ 37 ] can resist crop and framing errors, A WSOLA-based strategy [ 38 ] can resist playback. These strategies can replace Step 1 in Section 6 to resist the corresponding attacks.…”
Section: Experiments and Discussionmentioning
confidence: 99%
“…It is difficult to resist these attacks by considering only the embedding and extraction algorithms. Various strategies for selecting embedding regions have been proposed in the literature, among which RASE [ 36 ] and RFPS [ 37 ] can resist crop and framing errors, A WSOLA-based strategy [ 38 ] can resist playback. These strategies can replace Step 1 in Section 6 to resist the corresponding attacks.…”
Section: Experiments and Discussionmentioning
confidence: 99%
“…Conventionally, digital watermarks were extensively used in protecting the ownership of multimedia contents, including images [9,10], videos [11,12], audio [13][14][15], or functional designs [16]. The first effort that propose to use digital watermarking technology in CNNs was a white-box protection by Uchida et al [1], who had successfully embedded watermarks into CNNs without impairing the performance of the host network.…”
Section: Related Workmentioning
confidence: 99%
“…15 show the standard CNN models for CIFAR-10 and CUB-200 used in our experiments on image generation (i.e. DCGAN).…”
mentioning
confidence: 99%
“…For example, few audio watermarking systems have been designed to withstand desynchronization between the encoder and decoder [5,6,7,8,9,10]. This robustness could be achieved through using features that are robust to local time-scale variations [5], or deploying a special synchronization mechanism (through time-warping like procedure) at the decoder [8,9]. On the other hand, some earlier works have focused on the reverberation impact while assuming perfect synchronization [10,11].…”
Section: Introductionmentioning
confidence: 99%
“…The relevant work in the literature has treated these two challenges rather separately, and frequently at the cost of less robustness to standard audio processing operations. For example, few audio watermarking systems have been designed to withstand desynchronization between the encoder and decoder [5,6,7,8,9,10]. This robustness could be achieved through using features that are robust to local time-scale variations [5], or deploying a special synchronization mechanism (through time-warping like procedure) at the decoder [8,9].…”
Section: Introductionmentioning
confidence: 99%