An introduction to black and white lithography : two alternatives to the stone

Brookhart, Carolyn

doi:10.15760/etd.3138

Search citation statements

Order By: Relevance

Paper Sections

Select...

Introduction1

Citation Types

Supporting

Mentioning

Contrasting

Year Published

2022

Publication Types

Select...

Article1

Relationship

Self Cite0

Independent1

Authors

Journals

Cited by 1 publication

(1 citation statement)

References 0 publications

Supporting

Mentioning

Contrasting

Order By: Relevance

“…Traditionally, a lithograph is produced by drawing on a flat, polished slab of limestone with a greasy substance. The drawing is chemically treated with a mixture of gum Arabic and nitric acid, then inked and printed on a large press [7]. At the stage of printing on paper, the surface of the stone is inked, and the stone plate is fixed in the lithography machine, and printing paper is placed on top of it and through strong pressure on the stone plate, the entire drawing is transferred to the printing paper [8].…”

Section: Introductionmentioning

confidence: 99%

Utilizing different analytical techniques to determine the composition of the paper support of historical lithographic plate from Belzoni's Atlas

Mahmoud

Wahba

Marouf

et al. 2022

Advanced Research in Conservation Science

View full text Add to dashboard Cite

 Identification of the components of the rare historical papers from Atlas of Belzoni using micro-analytical methods.  The results proved that the historical lithographic plate was printed on wove paper from Whatman paper.  Wove paper is the predominant paper type used for fine art prints.  Compounds such as gelatin, alum, and CaCO 3 can be identified using ATR-FTIR and XRD analyses in historical paper.

show abstract

Section: Introductionmentioning

confidence: 99%