2008
DOI: 10.1039/b801358f
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Applications of synchrotron-based micro-imaging techniques to the chemical analysis of ancient paintings

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Cited by 120 publications
(135 citation statements)
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“…Synergy with photodegradation and oxidation [64,66] Involved in discolouration and sulphation [106,197,199,202,203,[207][208][209] Unstable [103,123,200], but still used in wall paintings [73,193,[201][202][203] Red Red lead…”
Section: Hgsmentioning
confidence: 99%
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“…Synergy with photodegradation and oxidation [64,66] Involved in discolouration and sulphation [106,197,199,202,203,[207][208][209] Unstable [103,123,200], but still used in wall paintings [73,193,[201][202][203] Red Red lead…”
Section: Hgsmentioning
confidence: 99%
“…It was already known to Romans [195,196] that mercury sulphide darkens when exposed to light, although not systematically [1,193,194,[197][198][199]. Moreover, HgS was not recommended for use in fresco, as humidity and pH affect its stability [103,123,200], but still it was used on wall paintings [73,193,[201][202][203]. Paint layers of pure vermillion are very vulnerable [199], while no darkening is observed when it is mixed with leadwhite [19,20,193,204].…”
Section: Mercury (Z = 80) Vermillion (Hgs Red)mentioning
confidence: 99%
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“…Scholars have posited two possible pathways by which chlorine might provoke a light--induced alteration. In the first, chlorine reacts with cinnabar to form various light--sensitive mercury--chloride and mercury--sulfochloride compounds (Spring and Grout 2002, Cotte et al 2006, Cotte et al 2008, Cotte et al 2010and Radepont et al 2011. Analysis of blackened cinnabar on cultural heritage materials has identified the presence of calomel (Hg 2 Cl 2 ), mercuric chloride (HgCl 2 ) as well as Hg 3 S 2 Cl 2 polymorphs including corderoite (α--Hg 3 S 2 Cl 2 ), β--Hg 3 S 2 Cl 2 and kenhsuite (γ--Hg 3 S 2 Cl 2 ) ( Table 1).…”
Section: Chapter 2: Literature Reviewmentioning
confidence: 99%
“…Other researchers have demonstrated the utility of this experimental procedure for collecting transmission-based microspectroscopic FTIR images of complex multilayered samples. 17,18 Examples include paint samples, which are similar to skin in the sense that paint samples consist of micrometric layers of organic and inorganic components, including proteinaceous compounds, fats, and resins. Although pressing layered paint samples between diamond windows has been shown to distort the geometry of layers somewhat, this procedure keeps the sample structure intact and free of contaminants.…”
Section: In Vitro Skin Spectramentioning
confidence: 99%