ARCHAEOMUSICA – Making the Past Audible

Both, Arnd Adje

doi:10.1111/cura.12333

Cited by 3 publications

(4 citation statements)

References 2 publications

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“…The range of material objects is broad and includes, for example, playback media and devices, ticket stubs, concert T‐shirts, posters, autographed photographs, brochures, fanzines, badges, and patches, besides having immaterial value (on “displaying musical sound as a sonic artefact,” see Cortez, 2017, p. 374; Passos Sachs, 2015). Sound helps to mediate the context, the message and the telling of a specific story by stimulating the sense of hearing (Baker, Doyle, et al., 2016; Baker et al., 2016a; Both, 2019; Botts & Palmer, 2019; Cortez, 2019; Heimlich et al., 2015; Venso, 2019).…”

Section: State Of Researchmentioning

confidence: 99%

“…Discussions on the exhibition of music and consequently on strategies of display have been mainly conducted in the framework of museum studies with reference to selected displays of popular music (Cortez, 2019; Fairchild, 2017; Fryberger, 2019; Renel, 2019). Such work has focused primarily on forms of presenting and experiencing sound in museum exhibitions (Both, 2019; Botts & Palmer, 2019; Leonard, 2010; Venso, 2019). It has also focused on the inclusion of sound in museums (see Baker, Doyle, et al., 2016), on storytelling techniques and narrative engagement (see Baker, Doyle, et al., 2016; Baker et al., 2016a) and on curatorial aspects.…”

Section: State Of Researchmentioning

confidence: 99%

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Collecting and Exhibiting Traditional and Popular Alpine Folk Music in Austria—A Case Study

Biedermann¹

2022

Curator The Museum Journal

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This paper presents a case study dedicated to a particular genre of folk music popular in the Alpine countries, and its collection and display in Austria in connection with a project in which the author was involved. The theoretical and practical questions related to this study reflect the needs and challenges posed by this topic in terms of museum documentation and communication. The aim of the paper is to expand the current discourse in the field by discussing the relationships between this genre of music as an intangible social phenomenon and as tangible cultural heritage. The paper presents the case study in an international context of discussion on the display of music culture and the role of sound in exhibitions, and connects theoretical considerations with practical approaches.

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Section: State Of Researchmentioning

confidence: 99%

Section: State Of Researchmentioning

confidence: 99%

Collecting and Exhibiting Traditional and Popular Alpine Folk Music in Austria—A Case Study

Biedermann¹

2022

Curator The Museum Journal

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“…Diese Objekte bergen auch umgekehrt immaterielle Werte in sich und prägen diese mit 5 . Klang kann unterstützend wirken, um Zusammenhänge und Aussagen sowie eine Geschichte zu vermitteln, indem er den Hörsinn stimuliert und so das multisensorische Erleben einer Ausstellung fördert (Baker et al., 2016a, 2016b; Both, 2019; Botts & Palmer, 2019; Cortez, 2019; Heimlich et al., 2015; Venso, 2019).…”

Section: Internationaler Forschungsstandunclassified

“…Abhandlungen € uber Methoden des Ausstellens von Musik mit besonderer Ber€ ucksichtigung popul€ arer Musik wurden und werden zu einem großen Teil auch von Seiten der museum studies gef€ uhrt (Cortez, 2019;Fairchild, 2017;Fryberger, 2019;Renel, 2019). 4 Diese Studien setzen sich etwa mit Pr€ asentationsformen, wie dem Erfahren von Klang in musealen Ausstellungen (Both, 2019;Botts & Palmer, 2019;Leonard, 2010;Venso, 2019) auseinander. Dar€ uber hinaus wird die Einbindung von Kl€ angen (see Baker et al, 2016), Storytelling und Narrativen als Gestaltungselemente in Ausstellungen er€ ortert (see Baker et al, 2016a).…”

Section: Internationaler Forschungsstandunclassified

Zum Sammeln und Ausstellen von traditioneller und populärer Volksmusik in Österreich – die Fallstudie Sammlung Wiesenhofer vor dem Hintergrund der internationalen Forschungssituation

Biedermann¹

2022

Curator The Museum Journal

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Abstrakt: Der vorliegende Beitrag beschäftigt sich mit Fragen zum Sammeln und Ausstellen des Phänomens Musik am Beispiel einer privaten Sammlung und dem damit in Verbindung stehenden materiellen und immateriellen Kulturerbe. Diese Sammlung bezieht sich auf einen besonderen Musikstil – das Genre der Volksmusik unter besonderer Berücksichtigung der volkstümlichen Musik im alpenländischen Raum in Österreich. Das Ziel des Beitrags ist dabei die Erörterung der Fallstudie vor dem Hintergrund des aktuellen internationalen Forschungsstands zum Phänomen (Volks‐)Musik in Zusammenhang mit dem immateriellen und materiellen Kulturerbe. Im Mittelpunkt der Untersuchung stehen theoretische und praktische Fragestellungen der musealen Dokumentation und Kommunikation, die sich aus dem Fallbeispiel ergeben, in das die Autorin des vorliegenden Beitrags eingebunden war. Der Beitrag zielt des Weiteren darauf auf, den theoretischen Hintergrund durch den Ansatz der Allgemeinen Museologie diskursiv zu erweitern.

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Creation of Functional Replica Roman and Late Antique Musical Instruments through 3D Scanning and Printing Technology, and their use in research and museum education

et al. 2021

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Replica artefacts are a well-established feature of Roman archaeology, particularly as used in experimental archaeology, by re-enactors, and in museum education. 3D scanning offers a new methodology for the accurate production of such artefacts, which can then be used both in scholarly research and in public engagement activities. This article describes methodologies for 3D scanning and 3D printing, together with appropriate craft techniques, in the creation of replica musical instruments from the collection of UCL's Petrie Museum of Egyptian Archaeology in London. While there were some challenges in replica creation, discussed in further detail, 'functional replicas' were successfully made, that, we argue, replicate sufficiently accurately those features of the objects under investigation from a research perspective. These were the decibel levels (sound power levels), and, for some objects, frequency (pitch) ranges produced, and the variety of sounds that they could produce. This evidence makes an important contribution to our understanding of the contexts of use of the original instruments. Sound recordings virtually modelled in a likely use location, the courtyard of a typical house from Roman-period Egypt, were also produced and assist in our conceptualisation of the wider acoustic environment. Sound recordings and replicas were additionally used for public engagement purposes in a temporary exhibition at the Petrie Museum, and their contribution to museum education is assessed. 3D scanning and printing technology are demonstrated to be valuable techniques for the production of accurate replicas, which can be used successfully to contribute to scholarly research and museum education in new ways. Appendices include .stl files that may be downloaded and 3D printed, to make copies of the replicas for use in new research and education projects.

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ARCHAEOMUSICA – Making the Past Audible

Cited by 3 publications

References 2 publications

Collecting and Exhibiting Traditional and Popular Alpine Folk Music in Austria—A Case Study

Collecting and Exhibiting Traditional and Popular Alpine Folk Music in Austria—A Case Study

Zum Sammeln und Ausstellen von traditioneller und populärer Volksmusik in Österreich – die Fallstudie Sammlung Wiesenhofer vor dem Hintergrund der internationalen Forschungssituation

Creation of Functional Replica Roman and Late Antique Musical Instruments through 3D Scanning and Printing Technology, and their use in research and museum education

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