Automatic Generation of Event Timelines from Social Data

Alonso, Omar; Tremblay, Serge-Eric; Dı́az, Fernando

doi:10.1145/3091478.3091519

Cited by 5 publications

(2 citation statements)

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“…In 2013, the University of Reading (UoR) acquired the archive of the experimental filmmaker Stephen Dwoskin 1 , presenting a unique opportunity to approach his work, through one of the most comprehensive holdings of a single artist filmmaker in the UK 2 . The research presented in this paper is part of the research project, "The Legacies of Stephen Dwoskin's Personal Cinema", 3 developed with the broad objective to understand what the Dwoskin archive can reveal about the aesthetic, cultural, and historical conditions, the experience of disability, independent creative practice, and economic and technological changes which independent filmmaking underwent from 1960's onwards.…”

Section: Research Contextmentioning

confidence: 99%

“…The earlier work of LFMC, in turn, contributed to the founding of LUX and LUX Scotland active international arts agencies that promote artists' moving image practices. 3 AHRC grant AH/R007012/1 sonal/professional practices, something which could be an advantage for preserving their original context of creation. On the other hand, the consequence is that the disk type, the file structure and the content of the drives is not necessarily ideal for archival review or collection.…”

Section: Research Contextmentioning

confidence: 99%

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Leveraging digital forensics and data exploration to understand the creative work of a filmmaker: A case study of Stephen Dwoskin's digital archive

Bartliff

Kim

Hopfgartner

et al. 2020

Information Processing & Management

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This paper aims to establish digital forensics and data exploration as a methodology for supporting archival practice and research into a filmmaker's creative processes. We approach this by exploring the digital legacy hard drives of the late artist Stephen Dwoskin , who is recognised as an influential filmmaker at the forefront of the shift from analogue to digital film production. The research findings of this case study show that digital forensics is effective in extracting a timeline of hard drive activities, data that can be explored to reveal clues about the artist's personal/professional history, stages of creative processes, and technical environment.The paper further demonstrates how this is related to current thinking around user-centred archival workflow and understanding of creative processes. The broader impact of the work for advancing digital archiving and research into creative processes is highlighted, concluding with a discussion of how, going forward, the approach can be coupled with deeper content analysis to reveal what influences editing choices taking place over time.

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Section: Research Contextmentioning

confidence: 99%

Section: Research Contextmentioning

confidence: 99%