Banging Interaction in Ubiquitous Music

Keller, Damián; Yaseen, Azeema; Messina, Marcello; Chakraborty, Sutirtha; Aliel, Luzilei; Lazzarini, Victor; Simurra, Ivan; Timoney, Joseph

doi:10.1007/978-3-031-28993-4_34

Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering

2023

DOI: 10.1007/978-3-031-28993-4_34

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Banging Interaction in Ubiquitous Music

Damián Keller

Azeema Yaseen

Marcello Messina

et al.

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“… 12 Agents in ubimus are defined as (typically) human operators who implement creative musical activities through the use of material resources (see footnote 7) (Keller et al 2014). The potential of non-human agencies in ubimus is briefly discussed in Keller, Messina and Oliveira (2020) and is a target of current ubimus initiatives. …”

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Radical Creative Semantic Anchoring: Creative-action metaphors and timbral interaction

et al. 2022

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This paper explores participatory and socially engaged practices in ubiquitous music (ubimus). We discuss recent advances that target timbre as their focus while incorporating semantic strategies for knowledge transfer among participants. Creative Semantic Anchoring (ASC from the original in Portuguese) is a creative-action metaphor that shows promising preliminary results in collaborative asynchronous activities. Given its grounding in local resources and its support for explicit knowledge, ASC features a good potential to boost socially distributed knowledge. We discuss three strategies that consolidate and expand this approach within ubiquitous music and propose the label Radical ASC. We investigate the implications of this framework through the analysis of two artistic projects: Atravessamentos and Ntrallazzu.

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Radical Creative Semantic Anchoring: Creative-action metaphors and timbral interaction

et al. 2022

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Banging Interaction in Ubiquitous Music

Cited by 1 publication

References 14 publications

Radical Creative Semantic Anchoring: Creative-action metaphors and timbral interaction

Radical Creative Semantic Anchoring: Creative-action metaphors and timbral interaction

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