Barthes and Bazin

Watts, Philip; Andrew, Dudley; Citton, Yves; Debaene, Vincent; Iorio, Sam Di

doi:10.1093/acprof:oso/9780190277543.003.0004

Roland Barthes' Cinema 2016

DOI: 10.1093/acprof:oso/9780190277543.003.0004

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Barthes and Bazin

Philip Watts¹,

Dudley Andrew²,

Yves Citton³

et al.

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2023

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“…2. For more on the role of ideology in cinema, see: Rushton (2013), Watts (2016), Hall (2007), Kellner (2007), and Zizek (1992).…”

mentioning

confidence: 99%

The Representation of Social Classes in Iranian Cinema During the Reformist Era, 2001–2005

Aqababaee

Rieck

2023

Contemporary Review of the Middle East

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This article discusses how social class was depicted in Iranian cinema during the Reformist Era between 2001 and 2005 when the government of Mohammad Khatami advocated economic reforms and cultural liberalization. The agenda of the Khatami government was supported by the middle and upper classes who had modernist cultural attitudes and benefitted from these political and economic reforms. The articles also analyzes how reformist ideology operated through films by presenting a positive image of the modernist middle and upper classes while challenging the values of the traditional classes and portraying the lower class as victims of social problems. The findings indicate that the reformists, contrary to their slogans, sought to normalize the values of their supporter classes in Iranian cinema.

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“…2. For more on the role of ideology in cinema, see: Rushton (2013), Watts (2016), Hall (2007), Kellner (2007), and Zizek (1992).…”

mentioning

confidence: 99%

The Representation of Social Classes in Iranian Cinema During the Reformist Era, 2001–2005

Aqababaee

Rieck

2023

Contemporary Review of the Middle East

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show abstract

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Barthes and Bazin

Cited by 1 publication

References 0 publications

The Representation of Social Classes in Iranian Cinema During the Reformist Era, 2001–2005

The Representation of Social Classes in Iranian Cinema During the Reformist Era, 2001–2005

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