2017 23rd International Conference on Virtual System &Amp; Multimedia (VSMM) 2017
DOI: 10.1109/vsmm.2017.8346280
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Biennale 4D — A Journey in time: Virtual reality experience to explore the archives of the Swiss pavilion at the “Biennale di Venezia” art exhibition

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Cited by 8 publications
(8 citation statements)
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“…Many studies involved the use of the VR system in teaching and learning practices. However, some of the concerns are misled information and a lack of accuracy or incomplete content due to the direct assumption method in interrelating and transmitting knowledge [25,47], a lack of investigation on learning memory and fantasy elements that have shown no influence on learning the VR system. The accuracy of information transfer depends on the quality of rendering and is mostly based on developers' or authors' design perception for knowledge transfer.…”
Section: Knowledge Transfermentioning
confidence: 99%
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“…Many studies involved the use of the VR system in teaching and learning practices. However, some of the concerns are misled information and a lack of accuracy or incomplete content due to the direct assumption method in interrelating and transmitting knowledge [25,47], a lack of investigation on learning memory and fantasy elements that have shown no influence on learning the VR system. The accuracy of information transfer depends on the quality of rendering and is mostly based on developers' or authors' design perception for knowledge transfer.…”
Section: Knowledge Transfermentioning
confidence: 99%
“…Application is still in its prototype stage and inadequate maintenance [25,26] No resolution is provided to all issues with walkthrough application [21].…”
mentioning
confidence: 99%
“…Somewhat promising at first, archival databases typically consist of (pictures of) artifacts, and metadata representing the actual object. Yet this documentation layer is merely an image of the original, and it should be taken into account that the reproduction might not be complete, nor fully representing it substantiality (Koebel et al, 2017). In sum, designing display modes for 2D artifacts in a 3D environment have to be carefully considered not to mislead viewers.…”
Section: Visualization Of Uncertaintymentioning
confidence: 99%
“…Sélection de l'année de l'exposition dans l'environnement Bien-nale4D[10] : la liste des années visitables est projetée sur les face d'un cube virtuel.PARADIGMES DE NAVIGATION TEMPORELLELa navigation temporelle intrigue depuis de nombreuses années tant les auteurs de fiction que le monde de la recherche. Dans leurs oeuvres de fiction, les auteurs ont imaginé plusieurs visions de ce que pourrait être le voyage temporel (e.g., La Machine à Explorer le Temps, Retour vers le Futur, Harry Potter que ce soit par l'intermédiaire d'une machine temporelle, d'un convecteur spatio-temporel ou d'un retourneur de temps).Sur le plan scientifique, dans leurs travaux datant de 2003, Peltonnen et al[13] proposent TimeMachine Oulu.…”
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“…Les auteurs proposent d'utiliser une timeline sur un écran tactile comme métaphore d'interaction.Plus récemment, avec les avancées des technologies de RV certains chercheurs ont proposé des paradigmes d'interaction visant à permettre la navigation temporelle au sein d'EV. En 2017, Koebel et al proposent un environnement virtuel, Biennale 4D, dans lequel les utilisateurs visitent le pavillon Suisse de l'exposition Biennale di Venezia[10]. Les utilisateurs choisissent l'édition de l'exposition qu'ils souhaitent visiter parmi une liste de dates possibles (cf.figure 2).…”
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