Can Ubimus Technologies affect our Musicality?

Costalonga, Leandro; Pimenta, Marcelo Soares; Wanderley, Marcelo M.

doi:10.35699/2317-6377.2020.25941

Cited by 2 publications

(1 citation statement)

References 46 publications

(56 reference statements)

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“…Ubimus borrows this concept and extends it into a wider principle called ecologies: "the interrelated components of Ubimus, which may address musical, educational, technological, or creative concerns, or any intersection among these" [47]. Within these, we find, for instance, areas such as professional music and multimedia design, creation, and performance; sound and music computing technologies; the educational contexts; and issues of everyday creativity [24,40,41,65].…”

Section: Ubiquitous Musicmentioning

confidence: 99%

On the relation between the fields of Networked Music Performances, Ubiquitous Music, and Internet of Musical Things

Turchet

Rottondi

2022

Pers Ubiquit Comput

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In the past two decades, we have witnessed the diffusion of an increasing number of technologies, products, and applications at the intersection of music and networking. As a result of the growing attention devoted by academy and industry to this area, three main research fields have emerged and progressively consolidated: the Networked Music Performances, Ubiquitous Music, and the Internet of Musical Things. Based on the review of the most relevant works in these fields, this paper attempts to delineate their differences and commonalities. The aim of this inquiry is helping avoid confusion between such fields and achieve a correct use of the terminology. A trend towards the convergence between such fields has already been identified, and it is plausible to expect that in the future their evolution will lead to a progressive blurring of the boundaries identified today.

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