Color design support system considering color harmony

Tokumaru, Masataka; Muranaka, Noriaki; Imanishi, Shigeru

doi:10.1109/fuzz.2002.1005020

Cited by 109 publications

(86 citation statements)

References 4 publications

Supporting

Mentioning

Contrasting

Unclassified

Order By: Relevance

“…Itten defines seven kinds of color contrast: contrast of hue, light-dark contrast, cold-warm contrast, complementary contrast, simultaneous contrast, contrast of saturation, and contrast of extension. Later, Mastuda extends the concept of color harmony and defines harmonious hue and tone templates [40,41]. Kobayashi is another color theorist whose Color Image Scale [42,43] in associating colors with linguistic concepts (color semantics) is well-received.…”

Section: Human Inspection Approachesmentioning

confidence: 99%

See 1 more Smart Citation

Quantifying Aesthetics of Visual Design Applied to Automatic Design

Jahanian

2016

Springer Theses

View full text Add to dashboard Cite

Section: Human Inspection Approachesmentioning

confidence: 99%

“…Hues which are in shaded sectors are considered to be in harmony. The angles of the sectors are described in [40] and [41]. 6.1 A schematic view of R-ADoMC.…”

mentioning

confidence: 99%

Quantifying Aesthetics of Visual Design Applied to Automatic Design

Jahanian

2016

Springer Theses

View full text Add to dashboard Cite

“…BACKGROUND DESIGN It is well known in art and graphic design that human observers prefer certain color combinations over others. Researchers have tried to quantify matching colors, or so called harmonic colors, in various color spaces resulting in recommended templates that image histograms should conform to [9]. In recent work, researchers have also used these templates to "harmonize" the colors in images and video (e.g., [1]).…”

Section: Drawing Areamentioning

confidence: 99%

“…The weight, w(C v (x)), averages S and V components in order to give preference to easily visible, saturated colors. Motivated by the "Type-I" template in [9] we obtain the desired harmonizing color as…”

Section: Drawing Areamentioning

confidence: 99%

“…As such, our core rendering approach is based on drawing and color picking principles established in art and graphic design. The designed directional textures are motivated by the "contour-hatching" drawing technique and the designed backgrounds by the "cross-hatching" shading technique as well as harmonic colors [10], [9]. In terms of the underlying imaging and communications setup our work makes the following assumptions:…”

Section: Introductionmentioning

confidence: 99%

See 1 more Smart Citation

Visual conditioning for augmented-reality-assisted video conferencing

Guleryuz

Kalker

2012

2012 IEEE 14th International Workshop on Multimedia Signal Processing (MMSP)

View full text Add to dashboard Cite

Abstract-Typical video conferencing scenarios bring together individuals from disparate environments. Unless one commits to expensive tele-presence rooms, conferences involving many individuals result in a cacophony of visuals and backgrounds. Ideally one would like to separate participant visuals from their respective environments and render them over visually pleasing backgrounds that enhance immersion for all. Yet available image/video segmentation techniques are limited and result in significant artifacts even with recently popular commodity depth sensors. In this paper we present a technique that accomplishes robust and visually pleasing rendering of segmented participants over adaptively-designed virtual backgrounds. Our method works by determining virtual backgrounds that match and highlight participant visuals and uses directional textures to hide segmentation artifacts due to noisy segmentation boundaries, missing regions, etc. Taking advantage of simple computations and look-up-tables, our work leads to fast, real-time implementations that can run on mobile and other computationally-limited platforms.

show abstract

An interactive method for generating harmonious color schemes

Pan

Zhang

et al. 2012

Color Research & Application

View full text Add to dashboard Cite

We present an interactive visualization tool for generating color schemes that can be used by both professional artists and novice designers to improve their design efficiency. The method is developed on two color harmony principles of familial factors and rhythmic spans from conventional color theories. The interactive tool makes use of these principles for users to interactively generate colors palettes containing harmonious combinations in the hue, saturation, and lightness color space in as few steps as possible. A pilot study with 20 participants has shown that this tool provides efficient workflow, color‐scheme harmony, and intuitive interaction, demonstrating the usefulness of the method. This work contributes to an artistic‐theory driven harmonious color‐scheme generation and to interactive user interfaces visualizing color relationships. © 2012 Wiley Periodicals, Inc. Col Res Appl, 39, 70–78, 2014

show abstract

Color design support system considering color harmony

Cited by 109 publications

References 4 publications

Quantifying Aesthetics of Visual Design Applied to Automatic Design

Quantifying Aesthetics of Visual Design Applied to Automatic Design

Visual conditioning for augmented-reality-assisted video conferencing

An interactive method for generating harmonious color schemes

Contact Info

Product

Resources

About