2020
DOI: 10.1080/10350330.2020.1720992
|View full text |Cite
|
Sign up to set email alerts
|

Consumption as extended carnival on Tmall in contemporary China: a social semiotic multimodal analysis of interactive banner ads

Abstract: Recommended citationZhen Troy Chen & Ming Cheung (2020) Consumption as extended carnival on Tmall in contemporary China: a social semiotic multimodal analysis of interactive banner ads, Social Semiotics,

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
3
1
1

Citation Types

0
14
0
2

Year Published

2020
2020
2022
2022

Publication Types

Select...
4
3

Relationship

1
6

Authors

Journals

citations
Cited by 19 publications
(16 citation statements)
references
References 34 publications
0
14
0
2
Order By: Relevance
“…Extending prior research, we deploy Ducoffe’s (1995) model to boost scholarly understanding of online videogame-based pop-up ads (Herrewijn and Poels, 2013; Goethe, 2019). Specifically, we add visual- and audio aesthetics as important drivers of pop-up ad effectiveness, which exert a demonstrated effect on behavior (Nelson, 2005; Meyers-Levy and Zhu, 2010; Krishna et al , 2016; Chen and Cheung, 2020). While visual aesthetics refer to the combination and interplay of ad-related colors and themes, audio aesthetics include the ad’s sound (e.g.…”
Section: Literature Reviewmentioning
confidence: 99%
“…Extending prior research, we deploy Ducoffe’s (1995) model to boost scholarly understanding of online videogame-based pop-up ads (Herrewijn and Poels, 2013; Goethe, 2019). Specifically, we add visual- and audio aesthetics as important drivers of pop-up ad effectiveness, which exert a demonstrated effect on behavior (Nelson, 2005; Meyers-Levy and Zhu, 2010; Krishna et al , 2016; Chen and Cheung, 2020). While visual aesthetics refer to the combination and interplay of ad-related colors and themes, audio aesthetics include the ad’s sound (e.g.…”
Section: Literature Reviewmentioning
confidence: 99%
“…Such an agentic performance process is defined as an exploration of hybrid identities for Chinese urban youth since their identities are not stable but ‘becoming’, like wearing masks in a live and wired masquerade. Such performance extends the metaphor of carnivalesque (Chen & Cheung, 2020; Yin & Fung, 2017), where fans poach and transcode cannon media texts through online chatting/comments to unleash the potentials of resistance towards capitals and hegemonic power. Masquerade is transient in a socio-cultural sense, just as performance is underpinned by the fleeting danmaku and its short onscreen appearance in a given ‘situation’ registered via a given plot, character and/or cultural event, among other references.…”
Section: Fans’ Multiple and Contested Identitiesmentioning
confidence: 90%
“…Faced with the success of Double 11, researchers began to pay attention to Double 11. At the same time, some scholars pointed out that although Double 11 maintained a successful trend, its market share was declining with the emergence of various online shopping festivals, such as Jindong 618 ( Chen and Cheung, 2020 ). Therefore, to maintain the sustainable achievements of Double 11, it is crucial to pay attention to the factors influencing consumers’ purchasing decisions on Double 11.…”
Section: Introductionmentioning
confidence: 99%
“…In addition, some scholars uncovered that an intermediate mechanism may exist in the path of individual information processing ( Cao et al, 2020 ), which could demonstrate the influence process of information on customers’ attitudes and behaviors but has been ignored by most of the studies applied ELM theory. Double 11 is a special online shopping carnival, which has the most abundant information ( Chen and Cheung, 2020 ). In the context of Double 11, most scholars only focus on the direct influence of information on behavior ( Xu et al, 2017 ; Yang et al, 2018 ).…”
Section: Introductionmentioning
confidence: 99%