2014
DOI: 10.1162/lmj_a_00203
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Cracking Ray Tubes: Reanimating Analog Video in a Digital Context

Abstract: This paper investigates the aesthetic potentials of analog and digital hybridized systems to generate genuinely new sonic and visual experiences. The authors discuss their use of the cathode ray tube as a technological and cultural platform for real-time performance in the context of digital screen culture and the digital glitch.

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Cited by 2 publications
(3 citation statements)
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“…In particular the combination of digital control and fluidity of analog light beams often creates strangely familiar but aesthetically new results. Together with other philosophers such as Zielinski (Zielinski 2006), other artists such as DeMarinis (Parikka 2012), Connolly/Evans (Connolly et al 2014), I believe in the power of combining both worlds into new hybrid methodology and objects. After many years spent coding I felt an intrinsic need for a return to materiality, to open and dissect, solder, interpret and rebuild my way.…”
Section: Discussionmentioning
confidence: 95%
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“…In particular the combination of digital control and fluidity of analog light beams often creates strangely familiar but aesthetically new results. Together with other philosophers such as Zielinski (Zielinski 2006), other artists such as DeMarinis (Parikka 2012), Connolly/Evans (Connolly et al 2014), I believe in the power of combining both worlds into new hybrid methodology and objects. After many years spent coding I felt an intrinsic need for a return to materiality, to open and dissect, solder, interpret and rebuild my way.…”
Section: Discussionmentioning
confidence: 95%
“…Digital tools promised greater aesthetic possibilities while creating a «culture of restrictive interfaces and preset creativity» often driven by passive and uncritical consumption (Connolly et al 2014). However, in the avant-garde, digital audiovisual performances reached a saturation and many artists are diverging from the mainstream in search for a personal approach through materiality or retro aesthetics (Zaarei 2020, Parikka 2012).…”
Section: Discussionmentioning
confidence: 99%
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