Creative Cardiff: Utilising cultural mapping for community engagement

Murray, Samuel

doi:10.1016/j.ccs.2017.08.003

“…In order to articulate the perception mapping process, this study performed a structured review of the literature on Historic Urban Landscape ((UNESCO, 2011); ; (Bandarin and Van Oers, 2014); (Bolici, Gambaro and Giordano, 2017); (Santander, Garai-Olaun and Arana, 2018); (Pereira Roders, 2019)); Cultural capital ((BENHAMOU Françoise, 2012); (Ost Christian, 2016); (Ost Christian, 2019); (Throsby David, 2001); (Throsby David, 2002); (Throsby, 2017)); Cultural mapping ((UNESCO, 2009); (Pillai Janet, 2014); (Freitas, 2016); (Jeannotte, 2016); (Murray, 2017); (Savić, 2017); (Hossain and Barata, 2019)); Sensorial mapping ((Dubey A., Naik N., Parikh D., Raskar R., 2016); (Graezer B. F., Pedrazzini Y., Bordone L., Herrera L., 2017); (Hoekstra, 2019)); Co-design and participatory mapping ( (Miessen M. and Basar S., 2006); (Dreessen, K. Huybrechts, L. Laureyssens, T. Shepers, S. & Baciu, 2012); (Naik N., Philipoom J., Raskar R., 2013); (Salesses, Schechtner and Hidalgo, 2013); Blake et al 2017; (He S., Yoshimurab Y., Helferc J., Hackd G., Rattib C., 2018); (Reilly, Adamowski and John, 2018); (Gutierrez, 2019); (Nyseth, Ringholm and Agger, 2019)).…”

Section: Methodsmentioning

confidence: 99%

Perceptions mapping: A participatory tool for urban conservation planning

Ost¹,

Saleh²

2021

The Future of the Past: Paths Towards Participatory Governance for Cultural Heritage

0

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This paper departs from questioning the relationship between the everyday maker and the built environment. It thus, positions the human reflections and daily interactions with the cultural heritage in terms of human sensory experiences at the center of its empirical research. The process of perceptions mapping is a sense-making process during which people map what they feel their cultural, natural and human assets are; express their opinions, ideas, needs and aspirations but also; raise concerns and highlight conflicts related to the management, conservation and preservation of the cultural heritage for future generations. Departing from the perceptions, the collective memory of what a place was to the community arises. Likewise, diverging and/or converging perspectives emerge in reference to what it is today and above all, how the community would like it to be tomorrow.

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“…In order to articulate the perception mapping process, this study performed a structured review of the literature on Historic Urban Landscape ((UNESCO, 2011); ; (Bandarin and Van Oers, 2014); (Bolici, Gambaro and Giordano, 2017); (Santander, Garai-Olaun and Arana, 2018); (Pereira Roders, 2019)); Cultural capital ((BENHAMOU Françoise, 2012); (Ost Christian, 2016); (Ost Christian, 2019); (Throsby David, 2001); (Throsby David, 2002); (Throsby, 2017)); Cultural mapping ((UNESCO, 2009); (Pillai Janet, 2014); (Freitas, 2016); (Jeannotte, 2016); (Murray, 2017); (Savić, 2017); (Hossain and Barata, 2019)); Sensorial mapping ((Dubey A., Naik N., Parikh D., Raskar R., 2016); (Graezer B. F., Pedrazzini Y., Bordone L., Herrera L., 2017); (Hoekstra, 2019)); Co-design and participatory mapping ( (Miessen M. and Basar S., 2006); (Dreessen, K. Huybrechts, L. Laureyssens, T. Shepers, S. & Baciu, 2012); (Naik N., Philipoom J., Raskar R., 2013); (Salesses, Schechtner and Hidalgo, 2013); Blake et al 2017; (He S., Yoshimurab Y., Helferc J., Hackd G., Rattib C., 2018); (Reilly, Adamowski and John, 2018); (Gutierrez, 2019); (Nyseth, Ringholm and Agger, 2019)).…”

Section: Methodsmentioning

confidence: 99%

The Future of the Past: Paths towards Participatory Governance for Cultural Heritage

Alicia¹,

Montero²,

Ruiz³

2021

4

0

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This paper departs from questioning the relationship between the everyday maker and the built environment. It thus, positions the human reflections and daily interactions with the cultural heritage in terms of human sensory experiences at the center of its empirical research. The process of perceptions mapping is a sense-making process during which people map what they feel their cultural, natural and human assets are; express their opinions, ideas, needs and aspirations but also; raise concerns and highlight conflicts related to the management, conservation and preservation of the cultural heritage for future generations. Departing from the perceptions, the collective memory of what a place was to the community arises. Likewise, diverging and/or converging perspectives emerge in reference to what it is today and above all, how the community would like it to be tomorrow.

show abstract