1991
DOI: 10.1111/j.1755-618x.1991.tb00155.x
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Cultural studies, a sociological poetics: institutions of the Canadian imaginary

Abstract: La poétique sociologique est définie comme problématique pour la sociologie critique de la culture afin de considérer l'avenir du rapport du dédoublement entre les cultures vécue et officielle à travers les institutions de l'imaginaire canadien anglais. On propose des critiques de la CBC, du développement de la politique culturelle, et des Études canadiennes comme école de pensée. A critique of the official definition of Canadian culture is presented. Given the distinction between lived and official culture, t… Show more

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Cited by 16 publications
(2 citation statements)
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“…Several macro-sociological, feminist, critical, and interpretive scholars ascended to prominence within Canada, ensuring a variegated discipline infused with distinctive Canadian perspectives (Felt 1975;Smith 1975;Clement 1977;Clark 1979;Hiller 1979;Luxton 1980). The subsequent emergence of post-modernist critiques and cultural studies sounded the death knell for any presumptions of a monolithic approach to social scientific analysis (Morrow 1991;Nielsen 1991;Andrew 1995).…”
mentioning
confidence: 99%
“…Several macro-sociological, feminist, critical, and interpretive scholars ascended to prominence within Canada, ensuring a variegated discipline infused with distinctive Canadian perspectives (Felt 1975;Smith 1975;Clement 1977;Clark 1979;Hiller 1979;Luxton 1980). The subsequent emergence of post-modernist critiques and cultural studies sounded the death knell for any presumptions of a monolithic approach to social scientific analysis (Morrow 1991;Nielsen 1991;Andrew 1995).…”
mentioning
confidence: 99%
“…and knowledge in the "formative aspect ofjuridical discourse'' (Shiose and Fontaine, 1995: 94;Allor and Gagnon, 1994), on specific nationalist formations (Jenson, 1993;Salee, 1995), on national historiographies and sociologies (Letourneau, 1991;Denis, 1993) or on the relations between the actors that articulate the cultural field (Nielsen and Jackson, 1991).…”
mentioning
confidence: 99%