2007
DOI: 10.1177/1473095207082032
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Culture Stories:Understanding Cultural urban Branding

Abstract: This article argues for a narrative approach to the study of urban branding and planning and presents an analytical framework for understanding narratives and place. The notion of the `representational logics of urban intervention' captures this idea that urban branding interventions are guided by certain representations and embedded in certain norms and values. The analytical framework is applied to a case study of cultural urban branding, the harbour front in Aalborg, Denmark, where a number of flagship arch… Show more

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Cited by 205 publications
(103 citation statements)
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References 22 publications
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“…The local stories can tell planners what is meaningful about the place (Hillier & Van Wezemael, 2012, pp. 327-328;Jensen, 2007;Soja, 2003). Therefore, Childs (2008, p. 184) suggests that "urban designers should create anthologies of neighborhoods' stories to help inform projects, and otherwise serve as curator and advocate for the vitality of the narrative landscape".…”
Section: Character Of the Place And Place Attachmentmentioning
confidence: 99%
“…The local stories can tell planners what is meaningful about the place (Hillier & Van Wezemael, 2012, pp. 327-328;Jensen, 2007;Soja, 2003). Therefore, Childs (2008, p. 184) suggests that "urban designers should create anthologies of neighborhoods' stories to help inform projects, and otherwise serve as curator and advocate for the vitality of the narrative landscape".…”
Section: Character Of the Place And Place Attachmentmentioning
confidence: 99%
“…Jensen, 2007;Mayes, 2008;Pike, 2011;Colomb 2011a;Giovanardi, 2011;Kalandides, 2011;Scaramanga, 2012;Ashworth and Kavaratzis, 2014).…”
Section: Different Approaches To Place Brandsmentioning
confidence: 99%
“…introdução Se muitos dos autores dos primeiros estudos sobre a cidade criativa se debruçaram principalmente sobre os casos de requalificação física (Bianchini e Parkinson, 1993) e o papel desempenhado pelos eventos e instituições culturais mais emblemáticos (Jensen, 2007;García, 2005), em tempos mais recentes a atenção voltou -se para a importância das infraestruturas imateriais no desenvolvimento das indústrias e dos clusters, ou polos, criativos (Comunian, 2011). Comunian (ibidem) traça a evolução do conceito de cidade criativa, desde o papel desempenhado por iniciativas como a Capital Europeia da Cultura até à nova interpretação de Richard Florida (2002), com a sua proposta de cidade da classe criativa.…”
Section: Roberta Comunian Uma Cidade Criativa De Tipo Relacional: Parunclassified