Culturological reflection on creative interaction between director and actor: neurolinguistic technologies as cultural-creating paradigm in the field of stage arts

Abstract

The purpose of the article is to conduct a cultural reflection on the technology of neurolinguistic interaction between the director and the actor in the process of interpersonal communication when working on staging a performance. The methodology of research is in accordance with the culturological discourse and is based on the application of a set of general scientific methods for specific scientific methods. In order to study the problem in historical sequence, the historical method is applied. Illumination and analytical measurement of the constituent components of the problem under study required the use of a system-analytical method. In order to study neurolinguistic technologies as a cultural paradigm in the field of performing arts, a system-structural method for analysing a system of interconnected and interacting elements is applied. The hermeneutic method is used for cultural reflection of the creative interaction between the director and the actor and the interpretation of the theoretical provisions of the problem under study. To draw the general conclusions of the study, the method of generalisation is applied. Scientific novelty lies in the cultural reflection of the creative interaction between the director and the actor and the consideration of neurolinguistic technologies as a cultural paradigm in the field of performing arts. Conclusions. An analysis of the question raised in the article about the cultural reflection of the creative interaction between the director and the actor made it possible to state the importance of using neurolinguistic technologies as a cultural paradigm in the field of performing arts. It was found that neurolinguistic technologies, regardless of the specific purpose or content, are directly aimed at the creative interaction between the director and the actor, constitute a harmonic integrity and can always be used to establish a creative tandem when staging a performance. It is shown that the use of neurolinguistic technologies in the process of communication will contribute to a better mutual understanding between the subjects of the creative process and will favour a clear relationship between the director and the actor when working on the performance. Taking into account the neurolinguistic features of the actor’s priority sensory channel, using the techniques of reflection, adjustment and anchoring of the result obtained in the creative process will contribute to establishing a rapport between the director and the actor, will allow the director to consciously lead the actor throughout the entire creative process of working on staging the performance and will lead to the interaction between the director and the actor. Consequently, the culturological reflection of the creative interaction between the director and the actor made it possible to illuminate the complex of artistic principles that clearly work, are adequate to their purpose, give effective results and fully correspond to the nature and content of the cultural paradigm of modern stage art.
 Key words: culturological reflection, neurolinguistic technologies, creative interaction, actor, director, culturology, performing arts, cultural paradigm.