Dance with a fish? Sensory human-nonhuman encounters in the waterscape of match fishing

Markuksela, Vesa; Valtonen, Anu

doi:10.1080/02614367.2019.1588353

Cited by 17 publications

(6 citation statements)

References 31 publications

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“…Our goal of elevating overlooked multispecies encounters in tourism has similarities with auto-ethnographic inquiries, which often seek to expose experiences obscured in dominant research discourses (e.g. Ellis & Bochner, 2016;Markuksela & Valtonen, 2019;Rantala & Valtonen, 2014). However, the memory-work method highlights the collective construction of memories through sharing, discussing, and theorising as a whole instead of concentrating on individual biographies (Small, 2004, p. 256).…”

Section: Narrative Methodologymentioning

confidence: 99%

Living with mosquitoes

Valtonen

Salmela

Rantala

2020

Annals of Tourism Research

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Section: Narrative Methodologymentioning

confidence: 99%

Living with mosquitoes

Valtonen

Salmela

Rantala

2020

Annals of Tourism Research

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“…Thus, it also taps into processual onto-epistemologies in which moving bodies navigate the spaces of value co-creation with/in materialities and other human and non-human agents. This means that value is created not only in social contexts, including humans, but also in spatio-temporal, contexts including other agents, such as animals or technological agents (Markuksela and Valtonen, 2019; Airoldi and Rokka, 2022). This also means that in these contexts, even though we learn to navigate them, we cannot be assured that we are fully in control of the meanings, experiences, and actions taking place (Haanpää et al , 2022; Parviainen and Coeckelbergh, 2021, p. 719).…”

Section: Conceptualising Value Co-creation As Choreographymentioning

confidence: 99%

Co-creation as choreography

Haanpää

2022

QMR

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Purpose This study aims to propose a novel concept of choreography as a way of understanding co-creation of value and thus develops the spatial analytical dimensions of co-creation theorising. Design/methodology/approach This conceptual paper contemplates the meanings and possibilities of leveraging the theoretical underpinnings of value co-creation, from the viewpoint of value-in-experience. Findings The concept of choreography opens up a way to read knowledge as movement. It enables a way to elaborate on both the phenomenological and non-representational aspects of co-creation processes. Conceptualising co-creation through such a lens, where knowing is seen as an on-going, spatio-temporal and affective process formed in movement, posits opportunities to further understand the value co-creation practices of experiences. Choreography gives access to the kinaesthetic and affective nature of knowing gained in and through different spatio-temporal contexts and can, in turn, be mobilised in others. Originality/value Only a few studies have conceptualised co-creation in relation to a spatio-temporal phenomenon. Notably, this study connects co-creation with mobilities and thus constructs a novel view of knowledge and value creation.

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“…Recent ethnographic research on hunting and more‐than‐human relations has turned to the concept of atmosphere to explore how people are immersed in a field of meteorological and also emotional forces that seem to permeate and define the place and practices they inhabit (Böhme, 2017; McCormack, 2018). Hunters dwell within a ‘weather‐world’ (Ingold, 2015), sensitive to shifting temperatures, variations in light, the dynamics of winds and other rhythms of weather, and how these connect with prey and the landscape (Gieser, 2020; Markuksela and Valtonen, 2019, forthcoming). Some hunters also coordinate with nonhumans by tuning into a feeling or ‘mood’ that emerges and fills the space between them, a palpable force through which both subjects negotiate their relationship (Schroer, 2018).…”

Section: Introductionmentioning

confidence: 99%

Rank atmospheres: The more‐than‐human scentspace and aesthetic of a pigdogging hunt

Keil

2021

Australian J of Anthropology

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Pigdogging is a popular pastime in Australia, a form of recreational hunting whereby people collaborate with dogs to chase and catch wild pigs. This paper analyses the hunt as an interspecies event that unfolds through the sensual and sensory entanglements of human and nonhuman, with a particular focus on the perspectives of the hunters. The concept of 'atmosphere' will be employed to frame an ethnographic analysis of two facets of pigdogging. First, by hunting with a dog, humans augment their capacity to identify the presence of pigs through the canine's extraordinary sense of scent. Through this relationship, the world of scent is revealed as having atmospheric properties: an enveloping phenomenon which is known through the dog, yet also escapes the hunter's perceptual apprehension. Second, this paper will illustrate examples of how atmosphere develops through the sensual relations between human and nonhuman bodies during the hunt. An affectively charged interspecies encounter

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Dance with a fish? Sensory human-nonhuman encounters in the waterscape of match fishing

Abstract: This is a self-archived version of an original article. This version usually differs somewhat from the publisher's final version, if the self-archived version is the accepted author manuscript.

Cited by 17 publications

References 31 publications

Living with mosquitoes

Living with mosquitoes

Co-creation as choreography

Rank atmospheres: The more‐than‐human scentspace and aesthetic of a pigdogging hunt

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