De la tabla al lienzo. Evolución técnica del soporte pictórico en la Escuela Valenciana del Renacimiento pleno al naturalismo barroco

Abstract

The combined use of cross-section analysis and other stratigraphic recording systems in the cleaning of two panel paintings from the fifteenthand sixteenth-century.

Valencian red imprimaturs since Francisco Ribalta (1565–1628)

“…1550-ca. 1670) [15,16]. In an earlier work [16], the authors demonstrated some collaborations and mutual influences among the painters Vicente Castelló, Francisco Ribalta and his son Juan Ribalta, and Jerónimo Rodríguez de Espinosa and his son Jerónimo Jacinto de Espinosa (see Fig.…”