2017
DOI: 10.7591/9781501713798
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Deaf in the USSR

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Cited by 108 publications
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“…Touted by the Soviet of Ministers as "the world's first professional deaf theater," TMZh was founded by graduates of a Moscow Theatre Studio established by the All-Russian Society of the Deaf in 1963. 73 As part of postwar Soviet deaf culture, TMZh represented the Society's effort to "identify, perfect, and institutionalize the various forms of cultural and social engagement by deaf people that had developed over the course of the Soviet period." 74 Like NTD, TMZh shaped its national sign language and fostered formal innovation before ultimately privileging hearing audiences.…”
Section: The Invention Of Sign-mimementioning
confidence: 99%
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“…Touted by the Soviet of Ministers as "the world's first professional deaf theater," TMZh was founded by graduates of a Moscow Theatre Studio established by the All-Russian Society of the Deaf in 1963. 73 As part of postwar Soviet deaf culture, TMZh represented the Society's effort to "identify, perfect, and institutionalize the various forms of cultural and social engagement by deaf people that had developed over the course of the Soviet period." 74 Like NTD, TMZh shaped its national sign language and fostered formal innovation before ultimately privileging hearing audiences.…”
Section: The Invention Of Sign-mimementioning
confidence: 99%
“…76 TMZh launched in a nation that privileged "labor as a criterion for normality" but tempered this productivist obligation through government pensions for the disabled. 77 NTD emerged during an intensifying unemployment crisis for deaf Americans and reflected the withdrawal of state support through productive labor as the rehabilitative ideal. TMZh was part of a broader effort to assign deaf citizens "full and secure" socially productive employment in an increasingly diverse array of technological and creative fields.…”
Section: The Invention Of Sign-mimementioning
confidence: 99%